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Announcer (Lux Radio Theater Sponsor)
Lux presents Hollywood. Lieber Brothers Company. The makers of Lux Toilet soap brings you the Lux Radio Theater, starring Gene Tierney and Victor Mature in Laura. Ladies and gentlemen, your producer, Mr. Irving Cumming.
Narrator / Producer Irving Cummings
Greetings from Hollywood, ladies and gentlemen. Tonight's drama is such a fascinating combination of mystery and romance that it is rapidly becoming a classic. To the devoted readers of whodunits. Perhaps its main attraction is its unusual triangle of characters. The cynical Broadway columnist, the soft spoken detective, or the haunting picture of Laura herself. Regardless of the reason, this intriguing mystery is one of 20th Century Fox's most memorable screen hits. And as our stars, we have glamorous Gene Tierney in her original role, romantically teamed with one of our most popular stars, Victor Mature. But first, let's hear from Ken Carpenter.
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Art Linkletter
Yes.
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Narrator / Producer Irving Cummings
Now, act one of Laura, starring Gene Tierney in the title role. And Victor mature as Lieutenant McPherson. Most people who read a newspaper or listen to the radio know the name Paul Lydicker. Mr. Lydecker is a legendary oracle of Bob Wire and forget me nots, whose enchanted pen and acid dung have brought fame to hundreds and oblivion to just as many. His New York apartment is a combination art gallery in Roman Bath. And now, immersed in one of his marble pools, Mr. Lydecker has a visitor. Detective Lieutenant Mark McPherson of the Homicide Bureau.
Lieutenant Mark McPherson
Say, it's a nice little place you have here, Mr. Lydecker.
Paul Lydecker
It's lavish, but I call it home. You're here about the murder of Laura Hunt. I made my statement yesterday to Sergeant Detective Crane.
Lieutenant Mark McPherson
Yes, I know.
Paul Lydecker
Now, suppose you tell me what else you know.
Lieutenant Mark McPherson
Why not?
Paul Lydecker
Oh, Henry, that washcloth. Mr. McPherson.
Lieutenant Mark McPherson
Oh, yes, yes.
Paul Lydecker
How good a detective are you?
Lieutenant Mark McPherson
Oh, I've picked up a few facts. Laura Hunt was killed the night before last. The bell rang, she opened the door, and someone pulled the trigger of a shotgun. It wasn't nice. The range was close.
Paul Lydecker
Have you found the shotgun?
Lieutenant Mark McPherson
No. What else? Well, Ms. Hunt was a very good looking girl. Probably she was about 25. Lived in a swell apartment, had a maid named Bessie.
Paul Lydecker
And where did she get the wherewithal
Lieutenant Mark McPherson
to support such a Manage the Bullet Company Advertising agency. She had a good job. Art director or something?
Paul Lydecker
Not or something.
Lieutenant Mark McPherson
She has a lady cousin in town and a couple of boyfriends. One name Shelby Carpenter, and the other is Paul Lydicker.
Paul Lydecker
Well, today is Sunday. Why haven't you Tried to see me
Lieutenant Mark McPherson
because it's a peculiar case, and I wanted to think.
Paul Lydecker
If you'll wait, I'll go with you when you leave.
Lieutenant Mark McPherson
Why?
Paul Lydecker
Murder's my favorite crime. My radio audience loves it. I know you'll visit all your suspects. I'd like to study their reactions.
Lieutenant Mark McPherson
You're on the list yourself, you know.
Paul Lydecker
I'd be insulted if I weren't.
Lieutenant Mark McPherson
Were you in love with Laura Hunt, Mr. Lydeker? Was she in love with you?
Paul Lydecker
Laura considered me the wisest, the wittiest, the most interesting man she'd ever met. I was in complete accord with her on that point. Now, if you will excuse me, I'll get dressed. Oh, where shall we be stopping, First Lieutenant?
Lieutenant Mark McPherson
I'd like to see Laura Hunt's cousin.
Paul Lydecker
Oh, Mrs. Anne Treadwell.
Lieutenant Mark McPherson
Yes, yes, yes, of course. And so, if you don't mind, Mrs. Treble, I'd like to ask you a few questions.
Laura Hunt
I'll do anything I can to help. Oh, good morning, Paul.
Paul Lydecker
Good morning, Anne.
Lieutenant Mark McPherson
You were fond of your cousin, Mrs. Trel?
Laura Hunt
I adored Laura, Paul can tell you.
Paul Lydecker
I can tell you considerable.
Lieutenant Mark McPherson
Did you approve of Miss Hunt's coming marriage to Mr. Carpenter? Why?
Laura Hunt
Shouldn't I approve?
Lieutenant Mark McPherson
I don't know. Just what does Shelby Carpenter mean to you, Mrs. Treadwell?
Laura Hunt
To me?
Lieutenant Mark McPherson
Well, he comes here regularly. Is he a friend, an acquaintance? Or are you in love with him?
Paul Lydecker
This is beginning to assume fabulous aspects.
Laura Hunt
Well, I'm very fond of Shelby, of course. Everybody is.
Paul Lydecker
I despise him.
Lieutenant Mark McPherson
You've been withdrawing a lot of cash from your bank, Mrs. Treadwell. 1500 and 1700 at a clip.
Laura Hunt
I needed that money.
Lieutenant Mark McPherson
The day you took out 1500, Carpenter deposited 1350. When you withdrew 17, he deposited 15.
Paul Lydecker
Shooting craps, Anne.
Laura Hunt
Oh, must I be insulted like this? Shelby needed some money. I lent it to him. I supposed I could do with it as I pleased.
Lieutenant Mark McPherson
Of course, now, on Friday night you were home alone. Why didn't you go to the concert with Mr. Carpenter?
Laura Hunt
Concert? I I didn't go because he didn't ask me.
Shelby Carpenter
Well, hello.
Paul Lydecker
Oh, we were just talking about you, Carpenter. What a coincidence to find you here.
Laura Hunt
This is Lieutenant McPherson.
Shelby Carpenter
Yes, we've met.
Lieutenant Mark McPherson
I didn't know you were here, Carpenter.
Shelby Carpenter
I've been lying down. My hotel room is so hot. And then all the reporters and the telephone. You know how it is, Lieutenant.
Paul Lydecker
Is that a sign of guilt or innocence, McPherson, I'm as eager to find
Shelby Carpenter
a murderer as you are. Lieutenant, Laura and I are going to be married this week, you know.
Paul Lydecker
No, he doesn't. Know. And neither do I know you nor anyone else. Oh, Laura had not definitely made up a mind to marry him. She told me so herself. She was going to the country to think it over. Laura was extremely kind, but she'd never have thrown her life away on a male beauty in distress.
Shelby Carpenter
I suppose you've heard losers whine before, Lieutenant.
Lieutenant Mark McPherson
Yesterday you said you went to that concert Friday night, Mr. Carpenter. What did they play?
Shelby Carpenter
Some Brahms, Beethoven's Ninth?
Lieutenant Mark McPherson
Uh huh. This place Miss Hunt had in the country, have you got a key to it?
Shelby Carpenter
No, but I think there's one in her apartment.
Lieutenant Mark McPherson
Well, I'll have a look.
Shelby Carpenter
Perhaps I could help you.
Lieutenant Mark McPherson
Okay. Come along. Goodbye, Mrs. Treville. Well, you can start looking for that key now, Carpenter.
Shelby Carpenter
Oh, yes, yes. I'll try the den.
Lieutenant Mark McPherson
Excuse me. Say, that's the dame's portrait on the wall, isn't it?
Paul Lydecker
Will you stop calling Laura a dame? That portrait was painted by Joseph Carter.
Lieutenant Mark McPherson
He was in love with her.
Paul Lydecker
Have you ever been in love, McPherson?
Lieutenant Mark McPherson
Yeah. A doll in Washington Heights once got a fox fur out of me.
Paul Lydecker
Have you ever known a woman who wasn't a doll or a dame?
Lieutenant Mark McPherson
Yeah, one, but she kept walking me past furniture stores.
Paul Lydecker
Oh, where are you going?
Lieutenant Mark McPherson
Oh, a phonograph. Hey, there's a record on it. Selections from Bittersweet.
Shelby Carpenter
One of Laura's favorites. Not exactly classical, but very nice.
Lieutenant Mark McPherson
Say, you know quite a bit about music, don't you?
Shelby Carpenter
I don't know a lot about anything, Lieutenant, but I know a little about practically everything.
Lieutenant Mark McPherson
Then why did you say they played Brahms and Beethoven at that concert? They played nothing but Sibelius.
Shelby Carpenter
Did they? Well, to be perfectly honest, I fell asleep and I didn't hear a note. I know it sounds phony, but I'm just a natural born suspect.
Lieutenant Mark McPherson
Well, don't let that bother you, Mr. Carpenter. I fall asleep at concerts myself. You find the key?
Shelby Carpenter
No. Maybe it's in here in her desk. Yes, it is. I knew there'd be one somewhere.
Lieutenant Mark McPherson
Funny. The police looked in that desk yesterday. The drawer was empty. You had the key right along, didn't you, Carpenter?
Shelby Carpenter
Yes. I didn't want to give it to you while Lydecker was present. I have private reasons that don't concern him.
Paul Lydecker
You have private reasons, no doubt, to lie about that key.
Shelby Carpenter
Paul, I'm warning you to stop implying I had anything to do with Laura's death.
Paul Lydecker
Very well, I'll stop implying. I'll make a direct statement.
Shelby Carpenter
You asked for this, Paul.
Lieutenant Mark McPherson
All right, all right. Cut it out, both of you. Okay, now, look, we came here to find the key, and I've got the key. Now let's get out.
Shelby Carpenter
There's nothing more you want from me.
Lieutenant Mark McPherson
No, not now.
Shelby Carpenter
I'll run along.
Paul Lydecker
You having lunch, Lieutenant?
Lieutenant Mark McPherson
Yes, I guess so.
Paul Lydecker
There's a rather superior restaurant nearby.
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Lieutenant Mark McPherson
Okay, let's go. Nice, quiet little place. Mr. Lynn?
Laura Hunt
Yes.
Lieutenant Mark McPherson
Say, what's the matter?
Paul Lydecker
You wouldn't call me a sentimental person, would you, Lieutenant?
Lieutenant Mark McPherson
Well, not.
Paul Lydecker
Dozens of times we sat here. This very table, Laura and I.
Lieutenant Mark McPherson
Well, how long did you know her?
Paul Lydecker
Nearly five years. I was just thinking, here we are eating lunch. And it was at lunch that I first met Laura. The Algonquin Hotel. I was alone. I looked up and found her standing in front of me. She had a layout in her hand, a sample advertisement.
Laura Hunt
Mr. Lydecker? How do you do? I'm Laura Hunt. Well, I'd like to talk something over with you, if I may.
Paul Lydecker
I am eating my lunch, yes, but
Laura Hunt
it's practically impossible to get to see you and I.
Paul Lydecker
Either you're from some incredibly remote community where good manners are unknown, or you suffer from the common delusion that being a female exempts you from all the rules of sex, civilized conduct.
Laura Hunt
Possibly. But I wanted to show this to you. It's an ad for the Wallace Flow Rite Pen. You're such a famous writer and commentator. It would be tremendously helpful if you'd endorse what we say about the Flow Rite pen.
Paul Lydecker
I don't use a pen. I write with a goose quill dipped in poison. And you may tell your employers.
Laura Hunt
Oh, they don't know anything about this. It was all my idea. They'd give you anything to get your endorsement. And if I were the person.
Paul Lydecker
Disregard component completely. Something far more important to me than your career. Oh, my food.
Laura Hunt
You mean that, don't you?
Paul Lydecker
Of course I mean it.
Laura Hunt
I never heard of anything so selfish.
Paul Lydecker
In my case, self absorption is completely justified. I have never discovered any subject quite so worthy of my attention.
Laura Hunt
But in your column on the radio, the things you say, they're filled with such understanding, such sentiment.
Paul Lydecker
Miss Hunt, you are beginning to bore me.
Laura Hunt
You're a poor man, Mr. Lydecker. I feel very sorry for you. Goodbye.
Paul Lydecker
In My second meeting with Laura Hunt occurred about two hours later, Lieutenant.
Announcer (Lux Radio Theater Sponsor)
Oh.
Lieutenant Mark McPherson
She kept after you, did she?
Paul Lydecker
No. I went to her because I couldn't stop thinking about her. She had something, that girl. Something far deeper than good looks. I. I went to Bullet and Company and proceeded to do something I have carefully avoided since the age of two. I apologize.
Laura Hunt
Your apology is accepted, Mr. Lydecker. It was very nice of you to go to all this trouble.
Paul Lydecker
Goodbye, Ms. Hunt. For reasons which are too embarrassing to mention, I'd like to endorse the Wallace Flow Rite Pen.
Laura Hunt
You're a very strange man. Now, I'm sure you're sorry for the way you acted.
Paul Lydecker
Let's not get psychiatric. But in a word, yes.
Laura Hunt
And you're a very kind person.
Paul Lydecker
No, I'm vicious. It's the real secret of all my charm. But if you think me kind, I'll call for you here at 6.
Laura Hunt
What?
Paul Lydecker
We'll have dinner together. I can't make it any later.
Lieutenant Mark McPherson
Will you be ready?
Laura Hunt
Yes, I'll be ready.
Lieutenant Mark McPherson
Coffee, Mr. Lydecker?
Paul Lydecker
Oh, thanks, Lieutenant. I started then to help Laura. I am a man reputedly of overwhelming ego, Lieutenant. But this, I admit, without reserve. It was Laura's own talent, her own incredible Charm that enabled her to rise to the very top of her profession. Through me, Laura met everyone. The famous and the infamous. And deferring always to my taste and judgment, she captivated them all.
Lieutenant Mark McPherson
Well, when does Carpenter enter the picture?
Paul Lydecker
Men couldn't keep away from Laura, but she never regarded anyone seriously but me. As for Carpenter, she met him one night at a party at Anne Treadwell's. She became attracted to him instantly.
Lieutenant Mark McPherson
I was shocked.
Paul Lydecker
A fellow completely without talent. With as much depth of character as a saucer of stale gin. Shortly before I took Laura home, I heard her talking with him.
Shelby Carpenter
And so I spend my time doing what I've always done. Nothing.
Laura Hunt
Then tell me, what does it feel like living on the income from an estate?
Shelby Carpenter
I once knew what it felt like, but the sheriff interfered with that over 10 years ago.
Laura Hunt
Then why don't you work for a living?
Shelby Carpenter
I did ask a friend for a job. All he did was laugh.
Lieutenant Mark McPherson
He thought I was joking.
Laura Hunt
Weren't you?
Announcer (Lux Radio Theater Sponsor)
Oh, no.
Shelby Carpenter
When he saw I was sincere, he got embarrassed. He said he'd phone me. That was months ago.
Laura Hunt
Do you really want a job?
Shelby Carpenter
Yes, I do.
Laura Hunt
Then you've got one.
Art Linkletter
What?
Laura Hunt
Now you think I'm joking? Well, I'm not. You just be at Bullet and Company tomorrow morning. Going to work, Mr. Carpenter?
Lieutenant Mark McPherson
And so, in time, Mr. Lydecker, they got engaged, huh?
Paul Lydecker
They became attached to each other quickly. I concealed my annoyance with masterly self control. But here was a situation, however ridiculous, that required my attention. And as you will see, it was for Laura's own good. Well, I followed them one night to this very restaurant. They had been working late on some advertising campaign.
Laura Hunt
The idea is wonderful, Shelby, and so is the layout. By the way, who's the model you use?
Narrator / Producer Irving Cummings
You don't remember?
Paul Lydecker
You hired her yourself.
Shelby Carpenter
Diana Redford, of course. Laura, could you have dinner with me tomorrow night? Just like this?
Laura Hunt
Maybe.
Shelby Carpenter
And what about the night after that?
Laura Hunt
But, Shelby, I just can't.
Shelby Carpenter
What about three weeks from the night and all the nights in between?
Laura Hunt
Don't you think I have any other engagement?
Shelby Carpenter
What about two months from now and the month after that?
Laura Hunt
What about next year?
Shelby Carpenter
Then it's all settled. What about breakfast? What about lunch? Beautiful lunches, day after day after day.
Laura Hunt
What about beautiful work day after day?
Shelby Carpenter
Miss Hunt, the way you talk, you think I was in love with you.
Paul Lydecker
Sparkling bit of dialogue, wasn't it, Lieutenant McPherson?
Lieutenant Mark McPherson
If they knew you were listening, they might have jazzed it up a bit.
Paul Lydecker
Laura knew that I had overheard them
Lieutenant Mark McPherson
because I told her so.
Paul Lydecker
The following evening by then I had some other information to tell her also,
Lieutenant Mark McPherson
though
Laura Hunt
I don't care what you found out about Shelby. It's the snooping about Paul.
Paul Lydecker
It's degrading, of course, but I thought you'd want to know. That sterling character almost went to jail last year for passing rubber checks. After that, in Virginia, he was suspected of stealing his hostess's jewelry.
Laura Hunt
Those are only insinuations. I know. His fault. But a man can change, can't he?
Paul Lydecker
Oh, Laura, for heaven's sake, open your eyes. So Carpenter has changed. Yes, he's changed. From you to Diana Redfern. He's running around with her now. A model from your own office.
Laura Hunt
Paul, how can you be so despicable? You know what you mean to me. How can you try so deliberately to hurt me?
Lieutenant Mark McPherson
Hurt you?
Laura Hunt
Paul Shelby and I are going to be married next week.
Paul Lydecker
You gave him a cigarette case on his birthday, didn't you? A valuable case.
Lieutenant Mark McPherson
Here.
Laura Hunt
Where did you get it?
Paul Lydecker
From the pawn shop where Diana Redfern took it after he gave it to her.
Laura Hunt
I don't believe it. He probably needed money and was too proud to borrow.
Paul Lydecker
Perhaps that's why this pawn ticket is in her name.
Laura Hunt
I won't let this go any further. I'm going to telephone.
Paul Lydecker
You won't find him at his hotel tonight. Carpenter's deserted both you and Miss Redfern. He's dining with a young and wealthy widow. Someone you know. Your cousin Anne. And he's been treating her rather badly these days.
Laura Hunt
I'll phone Anne at once.
Paul Lydecker
Oh, really, my dear. You don't think Anne would give him away? Oh, this is nasty. I know, but I must make you realize. Now, suppose we visit Cousin Anne?
Laura Hunt
He won't be there. I know he won't. Oh, good evening, Miss Laura. Good evening, Mr. Lynn.
Paul Lydecker
Hello, Margaret.
Laura Hunt
Oh, I'm terribly sorry, but Mrs. Treadwell isn't at home. Satisfied, Paul?
Paul Lydecker
Then suppose we just wait for her.
Laura Hunt
Oh, please, Mr. Lydech.
Paul Lydecker
Come in, Laura.
Laura Hunt
Why, Laura, dear. And Paul. We were just having dinner.
Paul Lydecker
Yes, I know. Laura.
Shelby Carpenter
I didn't expect to see you tonight.
Paul Lydecker
There you are, Laura. In a moment of supreme disaster, he's trite.
Shelby Carpenter
I was just telling Anne about our getting married. Well, sit down, you two.
Laura Hunt
Oh, no. No, thanks. I just stopped by to give you this. Your cigarette case.
Lieutenant Mark McPherson
What?
Laura Hunt
You must have misplaced it somewhere.
Shelby Carpenter
Laura. Laura, wait a minute.
Laura Hunt
Good night, Ann. Good night, Shelby.
Lieutenant Mark McPherson
When was this episode of the cigarette case, Mr. Lidecker?
Paul Lydecker
Last Wednesday night. On Friday, Laura had lunch with the Redfern girl.
Lieutenant Mark McPherson
Oh, I wish I'd been there.
Paul Lydecker
And as I said in my statement, Laura and I were to have had dinner that night. At seven o', clock, my phone rang. I know. I had a sudden sensation of depression. A foreboding of disaster.
Lieutenant Mark McPherson
Hello, Paul.
Laura Hunt
I'm frightfully sorry, but I just can't meet you.
Paul Lydecker
Well, there's nothing wrong, Laura. I mean, you're not ill?
Laura Hunt
Oh, no, no. I. I just decided to go to the country for a few days.
Paul Lydecker
In this storm? It's pouring.
Laura Hunt
It won't last, Paul. It will do me a lot of good to be alone.
Paul Lydecker
You're thinking about Carpenter.
Laura Hunt
Of course. Please, I. I simply must have this time to think this out for myself.
Paul Lydecker
Well, when will you be back, dear?
Laura Hunt
I don't know. I'll call before I leave. Maybe you could meet me.
Paul Lydecker
Of course I will.
Laura Hunt
Thanks, Paul. Goodbye.
Paul Lydecker
Goodbye, my dear. That was the last time I ever heard her voice.
Narrator / Producer Irving Cummings
This.
Lieutenant Mark McPherson
This Redfern girl, where does she live?
Paul Lydecker
In Newark. She's in the phone book. I will never forgive myself for allowing Laura to become involved with Carpenter. It was my fault. I should have stopped it long ago somehow.
Lieutenant Mark McPherson
She's dead now. It's too late even to think about it.
Announcer (Lux Radio Theater Sponsor)
Yes.
Paul Lydecker
Too late even to think about it.
Narrator / Producer Irving Cummings
Act 2 of laura, starring gene tierney in the title role and victor mature as mark. With joseph kearns as paul ladeka and carlton young as carpenter.
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Lieutenant Mark McPherson
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Narrator / Producer Irving Cummings
It's an hour later, in front of Laura Hunt's apartment, Lieutenant Detective Mark McPherson picks up Sergeant Crane. Together, they make another thorough search of the girl's room. Two things interest McPherson. A pile of Laura's letters and a bottle of Scotch whiskey.
Paul Lydecker
If you're thirsty, Lieutenant, I think you can do better than that.
Lieutenant Mark McPherson
No, thanks. Say, when did you say that maid was due?
Paul Lydecker
Any minute now. Say, where's Machavity?
Lieutenant Mark McPherson
In the basement. I've had the telephone tapped. He's sitting on it.
Paul Lydecker
But who's going to use the phone besides us?
Lieutenant Mark McPherson
Nobody I know of. But it's still a good idea. I'm making a call now myself. Go down the basement and relieve Mac. I'll wait here for the maid. Carpenter's coming, too. Okay. Hello, mascones? This is Lieutenant McPherson, Homicide. Laura Hunt's been buying liquor from you, hasn't she? Yeah. Did she ever buy a brand of scotch called Black Pony? You're sure of that? Okay. Thanks. Come in, Miss Clary.
Laura Hunt
Never mind that Ms. Clary stuff. My name's Bessie.
Lieutenant Mark McPherson
Have a chair, Bessie.
Laura Hunt
It seems to me you. Those letters you've been reading her private letters.
Lieutenant Mark McPherson
Yeah. Cops.
Laura Hunt
I was brought up to spit whenever I saw one.
Lieutenant Mark McPherson
Well, if it makes you feel any better, Bessie. Spit, Bessie. Who killed Laura Hunt?
Laura Hunt
How would I know? If you think I done it, ask anyone. Anyone who ever came here. Why I'd worked for, scrubbed for, done anything she would have wanted of me, pay or no pay.
Lieutenant Mark McPherson
Say, you're loyal, Bessie.
Laura Hunt
Miss Hunt was a real lady. Something cops would know about.
Lieutenant Mark McPherson
How'd this bottle get into her cabinet?
Laura Hunt
I put it there.
Lieutenant Mark McPherson
It's cheap scotch, Bessie. Laura Hunt wouldn't buy cheap scotch.
Laura Hunt
I found it on a kitchen shelf Saturday morning.
Lieutenant Mark McPherson
You know what that means?
Laura Hunt
It means that somebody brought it here Friday night.
Lieutenant Mark McPherson
Who?
Laura Hunt
I don't know, but I. I didn't want anybody to get any wrong idea about her. God rest her soul. That's why I put the bottle in the liquor cabinet. I done more than that.
Lieutenant Mark McPherson
There were two glasses.
Laura Hunt
I washed them out and cleaned off the bottle, too.
Lieutenant Mark McPherson
Destroying evidence, Bessie.
Laura Hunt
Well, I don't care. I'll do anything to keep her name from being dragged through the mud.
Lieutenant Mark McPherson
Now, relax, Bessie. Just relax. Look, I'd like some ice in the setup. You mind? Oh, and a couple of highball glasses. I'm expecting somebody.
Announcer (Lux Radio Theater Sponsor)
More cup?
Lieutenant Mark McPherson
No. Shelby Carpenter. Let him in and then get the glasses.
Laura Hunt
The door was open Lieutenant.
Lieutenant Mark McPherson
Oh, Mrs. Tread will come in. I didn't expect you. Oh, are you either, Mr. Lydecker?
Laura Hunt
Shelby's dropping me at the hairdressers later.
Lieutenant Mark McPherson
I only sent for you, Carpenter. I know, so I thought I might as well.
Laura Hunt
Well, come along.
Paul Lydecker
My excuse is equally feeble. I dropped in to inquire as to the state of your health, Lieutenant. Insipid, I trust.
Lieutenant Mark McPherson
I was about to have a drink. Oh, Bessie. Two more glasses.
Laura Hunt
Yes, sir.
Lieutenant Mark McPherson
Scotia van.
Paul Lydecker
Excellent.
Lieutenant Mark McPherson
Will this do? It's Black Pony.
Paul Lydecker
I'm a guest here.
Lieutenant Mark McPherson
It will have to do.
Laura Hunt
Here's the ice and the glasses.
Lieutenant Mark McPherson
That'll be all, Bessie. You can go home now.
Laura Hunt
Oh, but I. Yes, sir, I'll go.
Lieutenant Mark McPherson
Thank you, Bessie.
Laura Hunt
I remember when Laura bought these glasses. She loved them. She loved all her things so.
Paul Lydecker
What are you going to do, Anne? Sell them?
Laura Hunt
I suppose so. If I'm appointed administrator, I'll probably call in Corey.
Narrator / Producer Irving Cummings
Corey?
Lieutenant Mark McPherson
The art deal?
Laura Hunt
Yes. He can dispose of everything. It'll be less. Less gruesome that way.
Paul Lydecker
Not quite everything, Anne. There are one or two things here that belong to me. That vase, for instance. The antique fire, square screen. And, of course, the clock.
Lieutenant Mark McPherson
That's quite a clock. You've got one just like it, haven't you? I noticed it in your apartment.
Paul Lydecker
They were made 200 years ago by Courbet Feast. Large, aren't they? Two clocks, exactly the same. Created at the order of the Prince of Wales. I lent one to Laura.
Laura Hunt
Oh, really, Paul?
Lieutenant Mark McPherson
Yes, really.
Paul Lydecker
But the vase is the gem of my collection. I can take it with me now.
Lieutenant Mark McPherson
Nothing's leaving here, Lybiker. Only you.
Paul Lydecker
Is that your quaint way of indicating dismissal?
Lieutenant Mark McPherson
We're all leaving.
Shelby Carpenter
I don't understand. I thought you sent for it.
Lieutenant Mark McPherson
I did.
Shelby Carpenter
Well, don't you want to ask me any questions?
Lieutenant Mark McPherson
Nothing pressing.
Shelby Carpenter
I see.
Paul Lydecker
Well, I bid you goodbye.
Lieutenant Mark McPherson
Oh, the vase, Mr. Lier. Put it down. Oh, of course.
Paul Lydecker
Just a touch of trust.
Art Linkletter
Crane.
Lieutenant Mark McPherson
Yeah, McPherson. I'm back upstairs in her apartment. How are you doing in the basement? Any calls come in this afternoon?
Announcer (Lux Radio Theater Sponsor)
Not a thing.
Lieutenant Mark McPherson
Look, I've just been looking this place over. I've only done it 40 times.
Paul Lydecker
Anything interesting?
Lieutenant Mark McPherson
Everything's interesting. Especially that portrait. A really beautiful doll.
Paul Lydecker
Lieutenant.
Lieutenant Mark McPherson
Yeah. You know, I've read her letters, smelled her perfume, drank her scotch and gone through her wardrobe. Wait a minute.
Art Linkletter
Yeah?
Lieutenant Mark McPherson
Someone in the hall. Look, it's seven o'. Clock. Alfred will be along to relieve you. Make sure Alfred keeps his ear on that phone. Right. Who is it?
Laura Hunt
Guess.
Lieutenant Mark McPherson
Coming. Lidegger I guess you just happened to
Paul Lydecker
be passing by, and I noticed the lights were on. Have you sublet this apartment, McPherson? You're here often enough to pay rent.
Lieutenant Mark McPherson
Any objection?
Paul Lydecker
Yes. Especially to your prying into Laura's letters. That bundle in your pocket, for instance.
Narrator / Producer Irving Cummings
Oh, these?
Lieutenant Mark McPherson
They're yours. The best of the bunch too. That's the trouble with getting murdered, Lydeker. It ruins your privacy.
Paul Lydecker
And have detectives who buy portraits of murder victims a claim to privacy. Lancaster Corey tells me you've already put in a bid for Laura's portrait.
Lieutenant Mark McPherson
That's none of your business.
Paul Lydecker
Macpherson, did it ever strike you that you're acting very strangely? It's a wonder you don't come here with roses and a box of drugstore candy. Have you been dreaming of Laura as your wife, by your side at the policeman's ball or in the bleachers? Or listening to the heroic saga of how you acquired a silver shin bone in a gun battle with a gangster?
Lieutenant Mark McPherson
Yes, I can see that you have. Why don't you go home? I'm busy.
Paul Lydecker
Perhaps we can come to terms now. You want her portrait. Perfectly understandable. I want my possessions. My vase, my clock, my fire screen.
Lieutenant Mark McPherson
Now, if you get going.
Paul Lydecker
Oh, you'd better watch out, Lieutenant. You'll end up in the psychiatric ward. I don't think they've ever had a patient who fell in love with a beautiful girl who died before he met her.
Lieutenant Mark McPherson
Or did you meet her?
Paul Lydecker
Well, good night. Roses and a box of drugstore candy. Have you been dreaming of Laura as your wife?
Laura Hunt
Yes. I can see that you have.
Paul Lydecker
You better watch out, Lieutenant. You'll end up in the psychiatric ward. I don't think they ever.
Lieutenant Mark McPherson
What's the matter with me?
Paul Lydecker
Maybe.
Lieutenant Mark McPherson
Maybe you can tell me. You. The girl in that portrait up there?
Narrator / Producer Irving Cummings
You're beautiful.
Lieutenant Mark McPherson
You're the most beautiful thing I've ever seen. Somebody killed you? Why?
Shelby Carpenter
Why?
Lieutenant Mark McPherson
Do you know, I could sit here and look at you all night. All night long. I could sit, just look at you.
Laura Hunt
Who is it? Who's in there?
Narrator / Producer Irving Cummings
You.
Art Linkletter
You.
Laura Hunt
What are you doing there?
Lieutenant Mark McPherson
Yeah, you're alive.
Laura Hunt
If you don't get out at once, I'll call the police.
Lieutenant Mark McPherson
You are Laura Hunt, aren't you?
Laura Hunt
Well, I'm going to call the police.
Lieutenant Mark McPherson
Look. I am the police.
Narrator / Producer Irving Cummings
See?
Lieutenant Mark McPherson
Credentials. Lieutenant Mark McPherson.
Laura Hunt
What's all this about?
Lieutenant Mark McPherson
You don't know? You don't know what's happened?
Laura Hunt
No.
Lieutenant Mark McPherson
Well, haven't you seen the paper? Where have you been?
Laura Hunt
In the country. I. I don't get A newspaper.
Lieutenant Mark McPherson
Well, haven't you got a radio?
Laura Hunt
It was broken. What are you.
Lieutenant Mark McPherson
Here, here.
Paul Lydecker
Look at all these headlines.
Lieutenant Mark McPherson
I want you to sit down this time. You know, I'm very glad to see you. On Friday night, somebody was murdered in this room. What did you say until you opened the door? Just now, we thought it was you. Do you have any idea who it could have been? You don't know the girl died from shotgun wounds? No. Apparently we don't know who had a key to this apartment?
Laura Hunt
Nobody, except my maid. When did you say it happened?
Lieutenant Mark McPherson
Friday night. Look, you'd better take off that coat. You're dripping wet. Say, when did it start raining?
Laura Hunt
Just a few minutes ago. It's teeming outside.
Lieutenant Mark McPherson
It was raining Friday night, too, when that girl. Wait a minute. Wait a minute. Raining. Come with me, Ms. Hunter. Here in your room. I want you to look into your closet.
Laura Hunt
I simply don't understand.
Lieutenant Mark McPherson
The closet, Ms. Hunt. The closet. Here, open it up. Do all those dresses belong to you?
Laura Hunt
Certainly they belong.
Lieutenant Mark McPherson
All of them?
Laura Hunt
Are you out of your mind? Of course they do. What's this one?
Lieutenant Mark McPherson
I don't know. You tell me.
Laura Hunt
Why, this dress isn't mine. It's hers. Diana Redfern. She had it on when she came for lunch on Friday.
Lieutenant Mark McPherson
Ah, I see.
Laura Hunt
But this dressing was. This dress wasn't in here when I left it wasn't.
Lieutenant Mark McPherson
This Ms. Redfern, is she about your size?
Laura Hunt
Yes, she's a model. She works for us.
Lieutenant Mark McPherson
Yes, but she hasn't been home. Her landlady said she's gone to Philadelphia.
Laura Hunt
That's right. We have a branch office in Philadelphia. She had an assignment there. But she didn't go. It was postponed.
Lieutenant Mark McPherson
Does she have any relatives in the city?
Laura Hunt
An aunt and an uncle the same name. They live in the village.
Lieutenant Mark McPherson
Thanks.
Laura Hunt
Where are you going?
Lieutenant Mark McPherson
To the telephone. I think Ms. Redfern's aunt and uncle had better go to the morgue right away to make an identification identifier.
Laura Hunt
Oh, no,
Lieutenant Mark McPherson
No. Right. Yes, sir, I will. So long, Inspector. Well, that's that, Ms. Hunt.
Laura Hunt
They've located the Redfern.
Lieutenant Mark McPherson
Yes, we ought to know soon. Ms. Hunt, when you went to the country finally, did you see anyone you knew on the train?
Laura Hunt
No.
Lieutenant Mark McPherson
What happened?
Laura Hunt
I got off at Norwalk. I keep a car in a private garage near the station. I drove to my house. It's about 18 miles.
Lieutenant Mark McPherson
What did you do in the country?
Laura Hunt
Worked in my garden.
Lieutenant Mark McPherson
You didn't leave your place in all that time?
Laura Hunt
I keep everything I need in the house. I went there Expressly to be alone.
Lieutenant Mark McPherson
You were going to marry Shelby Carpenter this week.
Laura Hunt
Yes.
Lieutenant Mark McPherson
But you went away for a long weekend to be alone. You know Shelby Carpenter has a key to this apartment. Why didn't you tell me?
Laura Hunt
Because I know nothing of the sort. He hasn't.
Lieutenant Mark McPherson
How else did the Redfern girl get into the apartment? You knew she was in love with Carpenter.
Laura Hunt
I also knew that she meant nothing to Shelby. I understand him better than you.
Lieutenant Mark McPherson
She was found, and I'm convinced now it was Miss Redford. She was found in your dressing gown.
Laura Hunt
What of it? You yourself told me it was raining Friday night. You yourself just saw her dress. It's full of wrinkles and rain.
Lieutenant Mark McPherson
Well, how did she get in here?
Art Linkletter
Why?
Lieutenant Mark McPherson
Who brought her here?
Laura Hunt
I haven't the slightest idea.
Lieutenant Mark McPherson
Look, Miss Hunt. Do you love this Carpenter fellow so much you'd risk your own safety to protect him? He must have brought her here.
Laura Hunt
You suspect me. You think I killed somebody in jealousy?
Lieutenant Mark McPherson
I'm trying to get at the truth. I'm sorry. Strictly routine. Look, miss. Son, I'll see you in the morning. Meanwhile, don't leave this apartment and don't use the telephone.
Laura Hunt
But I've got to use it. I've got to let my friends know I'm alive.
Lieutenant Mark McPherson
Sorry, but I must insist. You see, if anything should happen to you, I. Well, I wouldn't like it.
Laura Hunt
All right.
Lieutenant Mark McPherson
There's one more thing. You want a way to make up your mind whether you'd marry Shelby Carpenter or not. What did you decide?
Laura Hunt
I decided not to marry him.
Lieutenant Mark McPherson
Well, well, well. I'll see you in the morning, Miss Hunt. Good night.
Laura Hunt
Good night,
Narrator / Producer Irving Cummings
Alfred.
Announcer (4 Patriots Sponsor Repeat)
You Mark?
Lieutenant Mark McPherson
Yeah. Watch your step. It's pretty dark down here. Anything coming through those earphones? Mark just called.
Paul Lydecker
It was the Redfern girl, all right.
Lieutenant Mark McPherson
They said she. Wait a minute. She's dialing a number up. Give me those earphones. Hello, Shelby?
Laura Hunt
This is Laura. I just. Laura, I must tell you.
Shelby Carpenter
Don't say anything on the telephone. Meet me right away in front of the office.
Lieutenant Mark McPherson
Can you leave right away? Was that. Yeah. Dames are always pulling a switch on you. You stay here, Alfred. Mac out in front?
Paul Lydecker
Yeah.
Lieutenant Mark McPherson
Get headquarters. Tell him to send another man right away. Mac's going to tail the girl. What about you?
Narrator / Producer Irving Cummings
I think I'll stick by Mr. Carpenter.
Lieutenant Mark McPherson
See.
Narrator / Producer Irving Cummings
Act three of Laura in a moment.
Lieutenant Mark McPherson
If you.
Narrator / Producer Irving Cummings
The curtain rises on Act 3 of Laura. Starring Gene Tierney in the title role and Victor Matura's Mark. With Joseph Kearns as Paul Lyca.
Announcer (4 Patriots Sponsor)
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Narrator / Producer Irving Cummings
For three hours, Detective Lieutenant McPherson has been following Shelby Carpenter. Now, in the black hours of the night, he stops his car near a lonely house 18 miles from Norwalk and makes his way carefully toward the front door. It's not quite shut. He peers through the crack for a moment and then walks in.
Lieutenant Mark McPherson
What? What are you doing with that shotgun, Carpenter?
Shelby Carpenter
I must admit, this is somewhat embarrassing.
Lieutenant Mark McPherson
Let me see that gun. It's been fired recently.
Shelby Carpenter
I killed some rabbits with it.
Lieutenant Mark McPherson
When?
Shelby Carpenter
A while back. I don't know exactly. I gave the gun to Laura for protection.
Lieutenant Mark McPherson
You haven't borrowed it lately. You didn't just bring it back.
Shelby Carpenter
You ought to know. You've been following me.
Lieutenant Mark McPherson
Do you realize the spot you're in? You brought Diana Redfern to Laura's apartment. You knew all along it was she who was murdered. Didn't you know Laura would come back any day and spill the whole thing? Or did you plan to kill her, too?
Shelby Carpenter
You're being fantastic.
Lieutenant Mark McPherson
You took a bottle of Black Pony to Her house? Friday night.
Shelby Carpenter
I took it there over a week ago.
Lieutenant Mark McPherson
Bessie says Friday night.
Shelby Carpenter
I can't help what Bessie says.
Lieutenant Mark McPherson
Where's the key to Laura's apartment?
Shelby Carpenter
I haven't got one. I never had one.
Narrator / Producer Irving Cummings
Okay.
Lieutenant Mark McPherson
You didn't bring the scotch there Friday night. You never had a key. Now, how did you get in? Well, I. Oh, come on, Carpenter, talk, talk.
Shelby Carpenter
Well, Laura kept an extra key in her office. I had asked Diana to meet me in a restaurant. I wanted to have it out with once and for all. You know, she thought she. Well, that she was in love with me. She started to get hysterical and we had to leave. Well, we started to walk. It began to rain suddenly and we got drenched. I thought of the key and stopped by the office to get it. We couldn't find a taxi, so we walked back to Laura's apartment.
Lieutenant Mark McPherson
Yeah, yeah, yeah.
Shelby Carpenter
Diana went to Laura's bedroom. When she came out, she had on her dressing gown where we talked, argued, maybe for a couple of hours. And then the doorbell rang.
Lieutenant Mark McPherson
Why didn't you go to the door?
Shelby Carpenter
Suppose one of Laura's friends had found me there.
Lieutenant Mark McPherson
Well, what would they think of finding Diana there?
Shelby Carpenter
I told her to say that Laura had led her the apartment. Anybody who knew Laura would believe that.
Lieutenant Mark McPherson
All right, go ahead. Go ahead.
Shelby Carpenter
Well, I heard Diana open the door and then there was an awful explosion. By the time I reached her, the door was shut again. Diana just lay there on the floor.
Lieutenant Mark McPherson
Did you go out to see who did it?
Shelby Carpenter
I was too horrified to do anything. I. I knew I had to keep out of it and keep Laura out of it, too. The only thing on my mind was the safety of the person whose life was dearer to me than my own. Don't you understand that?
Lieutenant Mark McPherson
Did you think Laura had killed her?
Narrator / Producer Irving Cummings
Did you?
Shelby Carpenter
I don't remember what I thought.
Narrator / Producer Irving Cummings
Well, do you think so now?
Shelby Carpenter
No.
Lieutenant Mark McPherson
Look, on Saturday, when Detective Crane went to see you, you seemed sincerely shocked.
Art Linkletter
I was.
Shelby Carpenter
I hadn't expected the police to mistake Diana's body for Laura's.
Lieutenant Mark McPherson
And your alibi was ready. The concert. You knew the minute Laura got back to town it wouldn't stick.
Shelby Carpenter
I couldn't think that far ahead. I was heartbroken about Diana and panic stricken about Laura.
Lieutenant Mark McPherson
Okay. And tonight you met Laura in front of her office. What did you talk about?
Shelby Carpenter
About what I've just told you. What are you turning on the radio for?
Lieutenant Mark McPherson
To see if it works. Why don't you tell the truth? She sent you here to get rid of that gun.
Shelby Carpenter
She doesn't even know I came. It was my own idea.
Lieutenant Mark McPherson
Oh, the radio works fine, doesn't it?
Shelby Carpenter
Why wouldn't it?
Lieutenant Mark McPherson
I hoped it wouldn't. All right. We're driving back to New York.
Shelby Carpenter
Am I under arrest?
Lieutenant Mark McPherson
I don't know. Just don't leave town. It would be very foolish thing to do.
Laura Hunt
Oh, good morning, Lieutenant.
Lieutenant Mark McPherson
Good morning. You know, I have a terrific yen to call you Laura. Why don't you forget that Lieutenant business and call me Mark?
Laura Hunt
Because I.
Lieutenant Mark McPherson
Especially since I brought you all these groceries. Look, you know, you didn't buy any food when you went out last night.
Laura Hunt
So, you know.
Lieutenant Mark McPherson
Yeah. I can fix bacon and eggs. Can you make coffee? Oh, I spoke to Bessie. She'll be a little late. When I told her you were alive, she darned her. Passed out?
Laura Hunt
Yes. She phoned you might have been a little more delicate about it. Suppose you set the table. But we'll have to wait a little while for the coffee.
Lieutenant Mark McPherson
I asked Paul Lidego to stop by.
Laura Hunt
Did you tell him about me? That I'm alive?
Lieutenant Mark McPherson
No.
Laura Hunt
Why not? It's brutal.
Lieutenant Mark McPherson
I'm not doing it for laughs. Why did you break your promise last
Laura Hunt
night not to go out? Because I'll never be bound to do anything unless it's of my own free will.
Lieutenant Mark McPherson
The Redfern girl was in love with Carpenter. You admitted that.
Laura Hunt
I also told you he wasn't in love with her.
Lieutenant Mark McPherson
Paul, I don't know. You stay here.
Shelby Carpenter
Hello, Lieutenant. Laura. Oh, good morning, darling.
Laura Hunt
Hello, dear.
Lieutenant Mark McPherson
Excuse me, Lieutenant.
Shelby Carpenter
I'd like to kiss my fiance Good morning.
Lieutenant Mark McPherson
Oh, so it's on again.
Shelby Carpenter
Do I have to get a police permit now?
Lieutenant Mark McPherson
Who?
Paul Lydecker
Come in.
Lieutenant Mark McPherson
L. The door is unlatched.
Shelby Carpenter
Lydecker. Right on my heels.
Paul Lydecker
Well, McPherson, have you thought over the deal I suggested? What about the portrait?
Laura Hunt
Horror. Oh, bo
Lieutenant Mark McPherson
I. I'll be all right
Paul Lydecker
in in a moment.
Lieutenant Mark McPherson
Laura, what a.
Laura Hunt
Not now, dear. Don't try to talk now.
Narrator / Producer Irving Cummings
Come on. Come on.
Lieutenant Mark McPherson
I'll take him into the bedroom.
Laura Hunt
Just be quiet.
Lieutenant Mark McPherson
Yes, yes.
Shelby Carpenter
How is he now, McPherson?
Lieutenant Mark McPherson
Ah, he'll be all right. He's lying down.
Shelby Carpenter
This is going just a little too far. Your methods are vicious.
Laura Hunt
Must have been a terrible shock to him seeing me. Poor darling.
Lieutenant Mark McPherson
Now, don't tell me you're in love with Lydecker too.
Shelby Carpenter
Stop talking that way to Miss Hunt.
Lieutenant Mark McPherson
Laura, why do you cover up for a guy like Carpenter? What story did he tell you when you met him last night?
Shelby Carpenter
Don't answer him, darling.
Lieutenant Mark McPherson
Oh, shut up. I got enough carpenter to set you away right now.
Paul Lydecker
McPherson, quick. The handcuffs Trundle him off to the who's gal. Well, I hope you'll forget my wee touch of angina, my dear. It's an old family custom. Oh, did I interrupt a pinch, McPherson?
Lieutenant Mark McPherson
No, I've changed my mind for the moment.
Paul Lydecker
Well, in that case, better orders to food and liquor. Laura, people are coming to celebrate your return this afternoon. A cocktail party?
Laura Hunt
Who asked them?
Paul Lydecker
I did. In the quiet of your boudoir just now I called my man, and he's calling all our dear friends.
Laura Hunt
Why did you have to do that?
Paul Lydecker
Perhaps our friends can weave all the loose ends into a noose, eh, McChrysten?
Lieutenant Mark McPherson
Now, you shouldn't have gone to all that trouble. Attica. Well, Laura, I'll run along. Sorry about breakfast. Some other time maybe.
Laura Hunt
Shelby. Shelby, come here.
Shelby Carpenter
What's the matter, darling? Your party's a huge success.
Laura Hunt
Shelby, tell me. I must know. Why did you go to the country last night?
Shelby Carpenter
Laura, you don't know?
Lieutenant Mark McPherson
I was afraid you wouldn't think of hiding that shotgun.
Laura Hunt
What shotgun?
Shelby Carpenter
The one I gave you. Darling, you don't have to lie to me.
Laura Hunt
Well, what's going on here? Oh, nothing at all. In case you don't know it, that McPherson man hasn't taken his eyes off you. I know.
Shelby Carpenter
Maybe it'd be better if I will mingle with the guests.
Laura Hunt
Dora. McPherson suspects him. Shelby. He suspects me too. Don't be absurd, darling. Yes? Are you is interested in Lieutenant McPherson, is he? Isn't you and I only met him last night. Sometimes that's more than long enough. Anyway, he's better for you than Shelby. Anybody is. Shelby's better for me. Why? Because I can afford him.
Lieutenant Mark McPherson
He's so good.
Laura Hunt
Wait a minute. He's coming. Mark? Oh, Mark isn't.
Lieutenant Mark McPherson
I'm sorry to break up your party,
Laura Hunt
Laura, but you haven't. You've been a model guest so far.
Lieutenant Mark McPherson
I'm not joking, Laura. Get your things. I'm taking you to headquarters.
Laura Hunt
I thought I was going to get a sell in a denim dress? Is this your office?
Lieutenant Mark McPherson
Now, before they trot out that denim dress, I want to know why you've been holding out on me.
Laura Hunt
Have I been?
Lieutenant Mark McPherson
You told me the radio at your country place was broken. It was not last night.
Laura Hunt
I stopped in the village on my way back. I asked the local handyman to fix it.
Lieutenant Mark McPherson
Well, how did he get in?
Laura Hunt
With a key. The key I always leave under the flower pot on the porch.
Lieutenant Mark McPherson
All right. I'll accept that.
Laura Hunt
Why?
Lieutenant Mark McPherson
Because you're too intelligent to make up a story. I could check so easily. The main thing I want to know is why you pulled that switch about Shelby Carpenter. You told me last night you decided not to marry. But today it's on again.
Laura Hunt
Why? I changed my mind.
Lieutenant Mark McPherson
What went on between you and Carpner when you met him last night? Or should I tell you? He convinced you that if you broke your engagement now. People would think you believe that he killed Diana Redford.
Laura Hunt
Yes. But now I know the real reason why he wanted to stay engaged. He thinks I did it, and so do you.
Lieutenant Mark McPherson
Are you in love with him?
Laura Hunt
No. I don't know how I ever could have been.
Lieutenant Mark McPherson
Come on, Laura. You're going home.
Laura Hunt
But I thought I was under.
Lieutenant Mark McPherson
That's what I wanted you to think. You and a few other people.
Laura Hunt
And all this was just some sort of a game.
Lieutenant Mark McPherson
Well, I was 99% certain about you. But I just had to make sure that 1% down.
Laura Hunt
Wasn't there an easier way to make sure?
Lieutenant Mark McPherson
Say, you're. You're smiling. You're not sore.
Laura Hunt
No, Mark, I'm not sore.
Lieutenant Mark McPherson
You go back to your party. If there's anything left of it.
Laura Hunt
And you?
Lieutenant Mark McPherson
I'm going to Lide department. I'll drop by later on.
Paul Lydecker
I'm glad they've all gone. Laura. It's been so long since we've been together. Darling, what's the matter?
Laura Hunt
Nothing. Paul.
Paul Lydecker
You're worried. Yes. McPherson, he's using you for something.
Laura Hunt
I don't think so.
Paul Lydecker
Oh, I don't deny he's infatuated with you in some warped fashion. But he's incapable of any normal human relationship. He's been dealing too long with criminals. When you were unattainable. When he thought you were dead. That's when he wanted you most. He fell in love with a portrait.
Laura Hunt
He was glad when I came back. As if he were waiting for me.
Paul Lydecker
Do you know what he calls women?
Lieutenant Mark McPherson
Dames.
Paul Lydecker
A dame in Washington Heights once got a fox fur out of his.
Lieutenant Mark McPherson
In his very words.
Laura Hunt
That doesn't mean anything, Paul.
Paul Lydecker
Laura, my dear. You have one glaring weakness. With you, a lean, strong body is always the measure of a man. And you always get hurt.
Laura Hunt
No man is ever going to hurt me again. No, not even you.
Lieutenant Mark McPherson
I hurt you? Laura, look at me.
Paul Lydecker
You are a long time finding out about Shelby. But that's all over now. We'll be together again.
Laura Hunt
Wait. I thought I heard the door open. It did.
Lieutenant Mark McPherson
Oh, don't get up. It's only me.
Paul Lydecker
Haven't you heard of science's latest triumph, the doorbell?
Lieutenant Mark McPherson
I'm glad you're here, Lydica. I've just been to your apartment.
Paul Lydecker
Well, do you mind if I search your pockets?
Lieutenant Mark McPherson
I found a shotgun. Oh, but I wasted my time. It wasn't the gun that killed Diana Redfern.
Paul Lydecker
First he tells you that he thinks you're innocent. And he proceeds to check up on you.
Lieutenant Mark McPherson
I never said you're innocent.
Art Linkletter
Me?
Paul Lydecker
I'm talking about Laura. My dear, this entire maneuver could be a trick to throw you off guard.
Lieutenant Mark McPherson
It could be, but it isn't.
Laura Hunt
I know. I believe you, Mark.
Paul Lydecker
I'm beginning to get annoyed. Laura, it's the same obvious pattern. If McPherson weren't full of muscles and good looks in a cheap sort of way, you'd see through him in a second.
Laura Hunt
Paul, I mean to be as kind about this as I know how. But you're the one following the same obvious pattern. First with that painter you thought was in love with me, then with Shelby. And now, I suppose.
Paul Lydecker
Laura, what are you saying?
Laura Hunt
That I don't think that we should see each other again?
Paul Lydecker
Now, darling, you're not yourself.
Laura Hunt
Yes, I am. For the first time in ages, I know what I'm doing.
Lieutenant Mark McPherson
Very well.
Paul Lydecker
I hope you'll never regret what promises to be a disgustingly earthy relationship. Oh, listen to my broadcast in 10 minutes. I'm discussing the other great loves of history.
Laura Hunt
That was the most difficult thing I've had to do in my whole life.
Lieutenant Mark McPherson
Yes, but where is it? Where is it?
Laura Hunt
What?
Lieutenant Mark McPherson
The gun that killed Diana Redford.
Laura Hunt
What are you doing?
Lieutenant Mark McPherson
Taking a look at your clock. Here. He's got one just like it, hasn't he?
Laura Hunt
Yes.
Lieutenant Mark McPherson
Well, you see, I wasn't alone in Lydecker's apartment. A guy named Sergeant Crane came with me. Crane's old man is a clockmaker. And while I wore myself out looking for a shotgun. All the sergeant had was drool about the clock. He said, probably there's not another one like it in the world.
Laura Hunt
Obviously he was wrong.
Lieutenant Mark McPherson
Yes, but he showed me something about that clock. A little feature with all clocks made by Courber Feast. Underneath, down here, near the floor, is a little spring. You push the spring, and the whole bottom compartment over opens up, see? Like this.
Laura Hunt
But I never knew it was there.
Lieutenant Mark McPherson
In the old days, I guess, people used the compartment for a kind of a safe. Today they use it for hiding other things. Shotguns, for instance.
Laura Hunt
Oh, my.
Lieutenant Mark McPherson
Yes, this is it, Laura. I'm sure of it. And it was put here by the only man who knew about this clock. Paul Lydick.
Laura Hunt
Oh, no.
Lieutenant Mark McPherson
When the Redfern girl opened the door. This hallway was dark. Lydecker saw a girl, assumed it was you and fired. He figured if he couldn't have you for himself, he was going to make sure no one else did. He heard Carpenter, so he hid behind the stairway outside in the corridor. Carpenter was scared to death. He got out as fast as he could. Then Lydia slipped back in and tucked the gun away in the grandfather clock.
Laura Hunt
I felt it ever since I came back. And I'm to blame. Not for what. Anything I didn't do. But for what? Just it. What I didn't do. I should have stopped seeing Paul long ago, but I couldn't. I owed him too much.
Lieutenant Mark McPherson
You know, I can understand all that. But I can understand why you tried so hard to protect Carpenter.
Laura Hunt
I was frantic you'd arrest him. I knew he wasn't guilty, but I knew Paul would do everything he could to incriminate him. It was his way of getting rid of Shelby. Just as he got rid of every other man who might have meant something to me.
Lieutenant Mark McPherson
You know, for a charming, intelligent girl, you've certainly surrounded your yourself with a remarkable collection of dopes. Now, look, don't touch anything. I'm leaving. The gun. The clock. I'll have it picked up in the morning.
Laura Hunt
You're going?
Lieutenant Mark McPherson
Yeah, I'm picking up Lydecker. Now, Mark, I've got to. You know that. And look, you try to get some sleep.
Laura Hunt
Sleep well. Maybe I can. I'll read a book, listen to the radio. Will you call me later?
Lieutenant Mark McPherson
Sure. And you try to forget all this. This. Just pretend it was a bad dream. Good night, Laura.
Laura Hunt
Good night, Ma. Good night. And be careful, please.
Lieutenant Mark McPherson
And now, ladies and gentlemen, with his
Paul Lydecker
final word for this evening, Mr. Paul Lydecker. As history has proved, love is eternal. The strongest motivation for man's actions throughout centuries. Love is stronger than life. It reaches beyond the dark shadows of death. May I remind you of some favorite lines of mine from Dowson's poem? They are not long the weeping and the laughter. After love and desire and hate. I think they have no portion in
Lieutenant Mark McPherson
us after we pass the gate.
Paul Lydecker
They are not long days of wine and roses other than the misty dreams for a while, then closes within a dream. That's the way it is, isn't it, Laura? By electrical transcription.
Lieutenant Mark McPherson
This is the secret.
Paul Lydecker
There's a final irony to all of this, Laura. You know how I despise melodrama. Yet here I am, a gun in my hand, about to kill you.
Laura Hunt
Paul, you've taken one life. Isn't that enough?
Paul Lydecker
The best part of myself. That's what you are.
Lieutenant Mark McPherson
Laura.
Paul Lydecker
Do you think I'm going to leave you to the vulgar pawings of a second rate policeman who thinks you're a dame?
Laura Hunt
He'll bind you, Paul. You know he will.
Announcer (She's Birdie Sponsor)
Will he?
Paul Lydecker
Don't you overestimate the man who thought I left here a few moments ago. All I did was wait in the hall, Laura. And then let myself in again with a key I've always had. But I'm not going to lose you, Laura.
Laura Hunt
Laura.
Lieutenant Mark McPherson
Laura, it's me, Mark.
Narrator / Producer Irving Cummings
Open the door.
Paul Lydecker
Don't move, Laura.
Laura Hunt
He didn't leave.
Lieutenant Mark McPherson
He's somewhere in this building.
Laura Hunt
Laura, are you all right?
Paul Lydecker
Find us together, darling. As always we should have been. As always we will be.
Laura Hunt
No. Oh, no.
Paul Lydecker
Turn your face, darling. Please turn your face. I couldn't bear to. Sorry, Ms. Hunt. I had to do it. I better let the boss in before
Shelby Carpenter
he puts on you.
Lieutenant Mark McPherson
Laura, darling.
Laura Hunt
Laura, it's all right.
Lieutenant Mark McPherson
Are you all right?
Paul Lydecker
Got him through the window, Lieutenant. From the fire escape. I'll call headquarters.
Shelby Carpenter
A fine detective.
Lieutenant Mark McPherson
A fine detective I am, Laura. Goodbye.
Paul Lydecker
Goodbye, my love.
Lieutenant Mark McPherson
It's all right, darling. It's all right. The bad dream is all over.
Announcer (Lux Radio Theater Sponsor)
In a moment, our stars will return. And now, here's Mr. Cummings with our stars.
Narrator / Producer Irving Cummings
And please step forward for a well deserved curtain call. Gene Tierney and Victor Mature. And I can't tell you how proud I am when I recall that I'd be directed each of you in your first starring role.
Lieutenant Mark McPherson
You know, Irving, I'll never forget you either. You kept me up one day on a Ferris wheel for two hours going around and round and round.
Laura Hunt
That was a long time. Why wouldn't he let you down?
Lieutenant Mark McPherson
Because he knew I wouldn't go up again, especially after lunch.
Narrator / Producer Irving Cummings
What Vic didn't know was that I was riding on a crane with a camera crew. And I was just as sick as he was.
Laura Hunt
I'm glad you didn't beat me. Me? That way in my first starring role. It might have been my last.
Narrator / Producer Irving Cummings
Oh, I'm always very charming to Lux girls, Gene. And you were a Lux girl even then, weren't you?
Laura Hunt
Oh, yes. I've used Lux soap for my complexion ever since I came to Hollywood.
Lieutenant Mark McPherson
Say, Irving, Ty Py was also a star at 20th Century Fox then. And you know, now he's starring in their CinemaScope production, King of Kyber Rifles.
Narrator / Producer Irving Cummings
Don't you have a new CinemaScope production too, Vic?
Lieutenant Mark McPherson
Yes, Susan Hayward. I starred in Demetrius and the Gladiators. I almost forgot the name, didn't you
Laura Hunt
play the part of Demetrius in the robe?
Lieutenant Mark McPherson
Yes. And 20th Century Fox received so many letters from people wondering what eventually happened to poor old Demetrius that he decided to film his story.
Laura Hunt
I'd like to know myself and Irving. I'd also like to know about next week's play.
Narrator / Producer Irving Cummings
Next week we will have another suspenseful drama. One that will take us through war torn Europe on a thrilling hunt for a dangerous murderer. It's one of David Osel's next many motion picture triumphs.
Lieutenant Mark McPherson
The Third Man.
Narrator / Producer Irving Cummings
And as our stars, that excellent actor
Lieutenant Mark McPherson
to own power and one of the
Narrator / Producer Irving Cummings
screen's most exciting personalities, Ruth Roman.
Lieutenant Mark McPherson
That will make a great show.
Laura Hunt
And how it will. Good night.
Narrator / Producer Irving Cummings
Good night everyone. Good night. And the best to both of you.
Announcer (Lux Radio Theater Sponsor)
Now here's art link letter with the word the busy housewife.
Art Linkletter
When you're at the store pushing that metal cart around, have you ever noticed how many detergents there are? Golly, you get dizzy just looking at them.
Laura Hunt
So what's a poor girl to do? Try all of them.
Art Linkletter
Some people do. Generally speaking, they find that a good detergent gets things clean looking and well,
Laura Hunt
then it doesn't make any difference which one you buy. Just close your eyes.
Art Linkletter
Oh, now wait, wait a minute. Open your eyes when you buy that detergent. But when you're trying to find out if your wash is really clean, don't rely on looks alone because your nose can tell you what your eyes can't see.
Laura Hunt
Oh, you mean that things aren't really clean unless they smell clean?
Narrator / Producer Irving Cummings
Sure.
Art Linkletter
If things don't smell clean, they aren't as clean as they should be. And like I said, all good detergents will give you a wash that's clean looking. But surf, all purpose surf will do more. Surf gets things so clean they smell clean too. So clean they smell like sunshine. And that means they're clean clear through. One wash day with surf will prove that to you. And you won't go reaching blandly for just any detergent down at the store. You'll always reach for surf. Remember, no matter how tough a laundry job you've got greasy work clothes and overalls, towels, sheets. Surf gets things really clean. So get the big money saving economy sized box of Surf. You like it?
Narrator / Producer Irving Cummings
Lever Brothers Company, makers of Lux Toilet soap and Lux Liquidy Durant invite you to be with us again next Monday evening when the Lux Radio Theater presents Jerome Power and Ruth Roman in the Third Man. This is Irving Cummings second, saying good night to you from Hollywood.
Announcer (Lux Radio Theater Sponsor)
Heard in our cast tonight were Joseph Kearns as Paul, Carlton Young as Carpenter, Yvonne Petey as Anne, Noreen, Camille as Bessie, Charles Seal as Crane, Eddie Mar as Alpha Bird and Marianne Cape as the Maid. Our radio play was adapted by S.H. barnett and our music was directed by Rudy Schrager. Don't forget Lever Brothers Parent Despair Plan the smart new way to buy stockings. You get three Canon nylon stockings, a $85 cent value for just $1, plus box tops or wrappers from Lever Brothers products. Look for details on the packages. This is your announcer, Ken Carpenter, reminding you to join us again next Monday night to hear the Third man, starring Jerome Power and Ruth Roman. Every Thursday evening, Lever Brothers Company brings you the Lux Video Theater. Consult your local newspaper for time and station.
Podcast: Harold’s Old Time Radio
Episode: Lux Radio Theatre - Laura
Original Airdate: July 21, 2026 (rebroadcast; show originally aired in the 1940s)
Cast: Gene Tierney (Laura), Victor Mature (Lt. Mark McPherson), Joseph Kearns (Paul Lydecker), Carlton Young (Shelby Carpenter)
Producer/Narrator: Irving Cummings
In this episode, "Lux Radio Theatre" presents a dramatic adaptation of the renowned film Laura—a captivating mystery and romance featuring a hauntingly beautiful murder case centered around the enigmatic Laura Hunt. The classic whodunit unravels through sharp dialogue, complex relationships, and a memorable cast led by Gene Tierney and Victor Mature. Detective Lt. McPherson’s investigation into Laura’s apparent murder brings him deep into a web of jealousy, obsession, and mistaken identity among New York’s elite.
“Murder’s my favorite crime. My radio audience loves it. I know you’ll visit all your suspects. I’d like to study their reactions.”
— Paul Lydecker [05:50]
“He was shocked. A fellow completely without talent. With as much depth of character as a saucer of stale gin.”
— Paul Lydecker [16:32]
“It’s a wonder you don’t come here with roses and a box of drugstore candy. Have you been dreaming of Laura as your wife...?”
— Paul Lydecker, teasing McPherson [30:02]
“You suspect me. You think I killed somebody in jealousy?” — Laura to McPherson [35:47]
“Do you realize the spot you’re in? You brought Diana Redfern to Laura’s apartment. You knew all along it was she who was murdered.”
— Lt. McPherson to Shelby [40:24]
“But he showed me something about that clock. A little feature... under here, near the floor, is a little spring... Today they use it for hiding other things. Shotguns, for instance.”
— Lt. McPherson [52:24]
“There’s a final irony to all this, Laura. Here I am, a gun in my hand, about to kill you.”
— Paul Lydecker [55:38]
“It’s all right, darling. The bad dream is all over.”
— Lt. McPherson [56:59]
“Laura considered me the wisest, the wittiest, the most interesting man she’d ever met. I was in complete accord with her on that point.”
— Paul Lydecker [06:06]
“You know, I’ve read her letters, smelled her perfume, drank her scotch, and gone through her wardrobe.”
— Lt. McPherson [29:11]
“For a charming, intelligent girl, you’ve certainly surrounded yourself with a remarkable collection of dopes.”
— Lt. McPherson [53:51]
“Laura” is a masterclass in audio storytelling, blending mystery, romance, and psychological suspense. The episode maintains a brisk pace, immersing listeners in a web of conflicting motives, unrequited love, and classic red herrings. The gradual unraveling of Lydecker’s obsession—masked as mentorship and affection—culminates in a tense, memorable climax. Victor Mature’s McPherson brings both toughness and sympathetic vulnerability, while Gene Tierney’s Laura is luminous even in confusion and peril.
For classic radio fans or anyone new to Golden Age audio drama, this adaptation of Laura offers rich performances, atmospheric sound design, and the timeless appeal of noir mystery.