A

Study and play come together on a Windows 11 PC. And for a limited time, college students get the best of both worlds. Get the unreal college deal. Everything you need to study and play with select Windows 11 PCs. Eligible students get a year of Microsoft 365 Premium and a year of Xbox Game Pass ultimate with a custom color Xbox wireless controller. Learn more@windows.com studentoffer while supplies last ends June 30th terms at aka mscollegepc. The Lonely Island.

B

It's a podcast.

A

Yorm, we're really happy you made it. You hosted a wedding at your house last night.

C

We did. It was probably 120 people here last night.

A

I was it hard to host a wedding with a phone that doesn't receive or send texts?

C

Oh, that's a great question. Yeah, well, because people could just shout to me from across the yard.

A

I see, I see, I see.

B

So, overall, the wedding's easier than a podcast, is what you're saying, is what we're getting at.

C

Oh, yeah. Def.

D

Def.

C

Most deaf.

A

Because, like, we knew you hosted a wed, but we were like, oh, it must have been maybe accidentally. Yorm, like, threw his phone when they were supposed to throw a bouquet. And that's why we haven't heard from.

C

I wasn't just hosting the wedding, Seth. I was officiating the wedding as well. That's why I was distracted.

A

Sure, sure, sure.

B

Yeah, no, we were just looking for, like, a yay or nay of is this happening or not? Just, like, a single, solitary nod.

C

Yet here I am, and where doth Andy be?

A

Yeah, no, that's a fair. That's a fair hit. I mean, I think Keev and I are in the clear. He was texting with your wife this morning, trying to figure out if you were doing the pod. Yes, I. Yeah, let's just make it clear. If that threshold gets crossed with Alexi, the pod's over.

C

I was. I was stumbling around the yard, collecting all the fireworks that I blew up. And then. And then she was like, are you getting on the pod? I was like, oh, yeah, I guess so.

B

Right, right.

C

And yet so confused. Andy.

A

So, yeah.

C

Yes. But shout out to my cousin Katie and Will, who just got married. My new cousin Will, too. And that's great.

B

Wait, what did Forte do?

C

Oh, well, Forte, who is not getting married, did. They had these little stations. They're a very creative couple, and they had these little stations that you had to collect stamp for. So there's five different stations, and there's one that there's, like, this phone that you can pick up and leave a message for the couple. And they're going to listen to it like 30 years. I don't know why it was 30 years.

A

I like it. I like it.

C

And then of course I was like, it would be fun if we got, you know, somebody to send a little message to, like explain it when you pick up the receiver. And so of course, Forte was the nicest man alive and was like, hello, this is Hollywood's Will Forte.

A

Does Forte know them?

C

No.

A

So Forte is basically like a human genie. You don't need to find his lamp. And it's infinite wishes instead of three. Yeah, right. Like basically anything you ask Will for. You don't have to know him. You don't have to have like freed him from a lamp. He'll just basically give infinite wishes.

C

He'll disappear and like talk to your grandma for a half an hour.

A

Y There you go. Perfect.

C

Sweet, man.

A

Hi, Andy.

C

Hi, Andy.

D

Y Did I overhear you saying you beat me as I got on?

A

Yeah, that was. He's been.

C

Yeah, well, you were late, but it was impressive because I didn't even know this was happening. About 15 minutes.

A

Why would you.

B

Yeah, yeah, yeah.

D

Cuz you were non responsive for four straight days.

C

Hey, yo. Hey, yo. I don't know if you like are going to be surprised by this, but I don't even know where my phone is right.

A

Right now.

B

Baked it into the wedding cake.

A

Oh, no. And it's the end of the week. Right? Like this would be when your radar would go up like, oh, no, it's probably today. And Yoram Keefe had your back. Keith was the one who was like, he's got a big old wedding in his house. He was trying his very best.

B

I was defending. I was defending.

C

Guy number one fucking comes through.

A

But I would say around 9am this morning, it became indefensible. Yeah.

B

Just because we did need.

A

Genuinely indefensible. And I love you very much.

C

The thing that, that detracts from this is if you saw me lighting off like fireworks last night, like a little tipsy, you'd be like, well, this guy.

B

Well, this guy could have checked his phone once and just been like, I'll be there.

C

But. But here's the thing, Keith.

A

I did not know where my phone

C

was at that point.

B

Yeah, you still don't.

A

You still don't.

B

Well, thank you, Kamari.

A

Andy, did you. Are you wrapped?

D

No.

A

Okay.

B

How much more you got? A couple days?

D

Yeah, three more days.

B

Oh, three more.

A

Three more days. That's good. A lot of People thought Andy was in a great mood. The last podcast, a lot of people were like, oh, my God. Episode 116 answers the question, how many of these we have to do before Andy likes it.

B

That's not true. He hit that a while ago.

A

It was a real one and done.

C

I thought the last two episodes he was in a great mood.

A

Have I made the observation that you were like Robert De Niro in Awakenings? We had a brief moment where you were catching baseballs and stuff.

D

I kind of feel like me being in a good or not good mood based on the vibe. And the pot is basically, I'm the Richard Dreyfuss. And what about Bob?

C

I see.

D

You know what I mean? And if you're watching the movie, you're just like this poor fucking guy. But if you don't see what's happening,

A

you're the groaning, you're the Charles Grodin.

D

And Clifford, no doubt about it.

A

By the way, three Cliffords shout out Clifford.

C

Go see Cliffords.

D

Shout out Clifford. Go see Clifford.

C

Definitely watch Clifford.

B

Clifford, yeah. In theaters this weekend. Martin Short, Charles Grodin, Martin Short. This is hilarious. He plays a small, like maybe a 13 year old. I don't know where what the target is.

A

Younger, younger, younger.

B

Like a 10 year old, 8 year old. He's got a red sweater.

A

It's amazing. You can't believe it's a movie and

B

it's not good, but it's. Well, I guess it's what you just said.

A

There are moments of absolute inspiration. There's the algorithm every now and then serves me the scene where Charles Grodin is just telling him to act normal. Yeah. He can't make his face normal. It's really something else.

B

He's like, be a human boy. Be a human being.

A

It's such a funny thing because they've cast a non boy. So it's. It's like almost he's mad at the director.

B

Can you just be a human being for one second? And it's like Martin George's eyes just going, huh, huh.

A

So go see Clifford this weekend.

B

Yeah, yeah. I'm pretty sure it's back in theaters this weekend, but you'll have to check your local listings.

C

Yeah, do yourself a flavor.

A

This is very exciting. I'm just gonna get into it. You guys know I'm a gearhead. I'm pretty much reading Car and Driver first thing Sunday morning.

B

Yep.

A

Yes. New story dropped a couple hours ago. Do you guys know what I'm talking about? Has anybody seen this?

C

Is it about my van?

A

Here's the headline. A Lonely island member bought this sweet dragon themed JDM key van.

D

Oh, shit.

C

I was kidding.

A

Full article in Car and Driver. What about your van?

B

No way.

C

No, that's not true.

A

It is very true. And here, I'll put it in the chat. And by the way, I thought it was just going to be like an aggregated article that is not like an

B

AI one where they just kind of bullshit.

A

Yeah. Now. Now I'm giving out the inaugural Quaid of the week to Brendan McAleer from Car Driver.

C

They got. This is from the shop and everything. This is cool. This is like. I haven't even seen this photo.

B

Whoa.

A

Here, can I read you a few lines, please? It's a Japanese market keijidosha van, one of the Ubiquay Tus little movers, which can be identified by its righteous grill.

B

Oh, shit.

A

While doing press for over your dead body, a dark comedy directed by Taccone released last month, he told the story of how he came to own the wacky little van just a couple of days. Having undergone major surgery on his spine and pelvis. While hopped up on heavy pain medications, he jumped on the Internet and started browsing for JDM cards. Ordinarily, that'd be the seed of a terrible decision. What's funnier than driving a tiny van around nyc? Driving one that's entirely covered in a dragon themed livery. That's truly kablamo.

C

Oh, this is sweet. That's very. That's a real fan.

A

In this case, it's the kind of burrito brained move that's endlessly pleasing to anyone who loves when the Lonely island takes a silly concept and runs with it.

C

I feel like my character on the pod is getting a little wackier than maybe I am in real life, but. Or maybe not. Maybe this is who I am.

B

This is amazing.

A

Yeah, yeah, it's a great. It looks awesome.

C

That's so tight. Like, those pictures are rad.

A

Somebody had one last shout out that I'm surprised we haven't heard. Maybe we have and I missed it. Name for your van.

C

Oh, what is it?

A

Dieter Van Kunt.

C

Oh, that's very good.

D

Hard to argue.

C

Dieter Van Cunt. The Dwagon Wagon.

D

It could be Dieter van Kunst Colon. The Dwagon Wagon. Yeah.

A

Uh, I'm gonna run through a few things before we get to just had sex part two. We do know to our listeners, we do know what we're supposed to be doing.

B

It's fine. It'll be in the title of the episode. They'll know from that.

A

Yeah, that's true. Hey, Mitra Juhari. Am I saying that right, Andy, your co star in Digman. Yeah, she's so funny.

D

Absolutely.

A

Somebody said, did you notice Mitra was the special guest when Sarah Sherman was on Good hang with Amy. So Mitra, like, did the calling and ask questions.

D

Oh, I don't listen to podcasts.

A

Right, right, right. But people said like, hey, I can't believe Mitra was on and Amy didn't mention Digman once.

D

Yeah, what the hell, Amy.

A

And it really was like, I didn't realize the rivalry was still this heated. Yeah, like, Poehler is just definitely trying to, like, bad hang us at every turn.

D

Yeah, she's. She's anti Quaid.

C

I think if Andy ever starts listening to podcasts, we should stop doing this podcast.

A

Oh, yeah, well, he'll have a lot of notes all of a sudden.

B

Yeah, all of a sudden he'll go, you know what other podcasts do?

D

You know what they do is they

B

don't just ramble for 20 minutes.

D

They'll, like, be on camera and make money.

A

Andy missed it because Andy was shooting a movie. But speaking of Polar, me and Shoemaker.

D

I was so bummed.

A

Saw Dratch, Maya and Poehler. We were supposed to see Anna, and Anna got food poisoning midway through a show. Gas tire, had to go home.

B

That's why when you're on Broadway. Whenever I'm on Broadway, I stick to the same meals every day. I figure out what works. Something really basic, like a tuna sandwich or something.

A

Well. Cause you learned that from Piven when Piven had to miss time with the sushi.

D

That's right.

B

That was from the mercury poisoning. You don't want to have a random lunch and then find yourself in the middle of schmigadoon wanting to take a schmigadoo dump.

C

Tony Award winning schmiga poop.

D

Keith, you always say you gotta watch what you eat when you're on Broadway. So you don't know. Broader.

B

Oh, broader than Broadway. A la peak.

A

Broadway for me is being in a bar and having Dratch and Maya walk in together. Post show singing on Broadway.

C

Wow.

A

And in a way, too. Like, you can do it as loud as you want. Like, what person in a Broadway bar doesn't see the two of them singing on Broadway and just break into the biggest grin?

B

Yeah. That's what you hope happens every night.

C

Yeah, that's winning. That's winning.

D

I thought you were going to say breakout in song with them.

A

Yeah, you might as well, right?

C

I Thought you were going to say the entire bar join suit. Where was it? Was it Sardis? Does Sardis still exist?

A

It does, but it was a. Well, we'll. We'll bleep it.

B

Yeah.

C

Okay.

B

You know what's not going to work really good for your. We love straws or what? What's the name of your website?

A

Yeah, yeah, I want straw.

D

Is that We BLEEP all the straws.

B

Yeah. Should we put all the restaurants that we do, but the names censored on every single one?

A

Everything's blurred out.

B

Yeah. Full description of it.

A

Pictures of the food, but the outside's blurry.

D

Why do we gatekeep the straws?

A

I don't know why we're gatekeeping the straws. You know what? Don't believe it. Let the world hear where we went.

B

Yeah, I like it. It's funnier to gatekeep the restaurants while operating like a yelp that gatekeeps the restaurants.

D

Can I say where I went last night? Thanks to Seth.

A

Yeah, say. Say where you went last night.

D

My dear friend Seth Lee got me a table at one of the hardest strawns in all of New York. Even though he wasn't in town, he helped me hook it up.

A

Yeah.

D

And obviously we'll BLEEP this, but it was.

A

Yeah, yeah. I mean, and I genuinely, I cannot tell everyone on this pod and everyone listening just how happy I was to know I still had that pull.

D

Damn right.

C

Yeah, that's cool.

A

Yeah. I mean, again, it helped that it was like pulling for Andy. Like, I mean, I dropped your name

D

as well and, like, hit us in the tit as King of New York, Brunson or Myers.

A

My son told me that he heard from a friend at school that now there's a bodega sandwich called the Brunson because, like, a kid was interviewing him, he told him what he gets a bodegas. Oh, I don't believe this is true, but it was told.

C

So what kind of sandwich?

B

At least some bodega.

A

It was like everything bagel, I think, slathered in success. You said hit us in the tittas. Somebody did suggest it doesn't quite work as well, but I appreciate the effort. Pingus and the dingus.

D

Oh, I think that actually works quite well.

B

Yeah.

C

We might have to start saying that.

A

Well, you have to say, like. You can't say ping us because dingus, like.

D

Well, no, actually, pingus and the dingus.

A

Pingus and the dingus.

D

You just can't say dingus.

A

Yeah. Pingus and the dingus, though.

D

God, Dingus. Highly underutilized.

A

Yeah. And, I mean, if you're not using it, might be lost to the world,

D

but you got to use it.

A

Right?

D

You know what I mean, dude?

C

Andy, part of the reason why I was so excited for you to see the van is just to be able to use the word dinky with you, because I just feel like you that word a lot.

D

It a dinky doodle. Yeah, it's a dinky doodle. And it's carrying a little dinky doodle dandy.

A

Wait, I got some more before we can just have Seth. Hold on. Oh, recipes.

D

I just had Seth.

B

That is exactly what it sounded like he said.

D

Yeah.

B

It's weird to say your own name by accident. Like, I never would be like, by accident. Call one of you Akiva. That's, like, the one way I wouldn't slip.

D

Do you think there's only one person who could do it? But. But I don't want to, like, talk about your personal life, but do you think your wife, after she borks you, sings, I just had Seth.

A

Oh, yeah. Probably quietly. Quietly in the bathroom, like, hums it in between sobs. You think she's singing?

D

How old is your youngest, Seth?

A

My youngest is four and three quarters.

D

So four years ago. You think she's saying that?

B

Yeah, Four years and nine months.

A

Four plus three quarters plus nine months. Oh, double three quarters. Five and a half.

C

Yeah.

B

Thinking back, I do remember her in

A

the shower, humming, breathing back into my mind palace. My memory mind palace.

C

Yeah.

D

And that was the last time. Yes.

A

Can I tell you a very. My favorite, like, economy words comment this week was I just had Shreks. Fun for the listeners. Three Shreks. If any quades want to not using AI or whatever, make a Hut Rod poster. Jabba the Hut in Hutt Rod.

D

Oh, sure. Yeah.

A

We'd love to take a look at that. Mike o', Brien, kind of the MVP of last week's pod.

D

Oh, fuck.

A

Did you hear? As he was. He added a goodbye at the end,

D

too, I was told, and then checked it out.

A

Yeah, very funny.

D

So I do remember him. Yeah.

A

And somebody said, I feel like Andy is just learning o' Brien is a real person and not his. Tyler Durden.

C

That's right.

A

Oh, I was gonna say rest in peace. And Sheeden, who played the mom of Elf. It's very sweet how many people reached out to the pod.

D

Oh, yeah.

A

Like a very funny lady. Travis, he was great on El. So a sincere rest in peace.

D

Yes. And we recorded last week's before that

A

transpired, obviously, and what's your voice note?

B

I don't know. Jeff said that Greg Chun had sent something in. So whenever he does, it seems worthwhile to give it a listen.

A

Yeah, let's do it.

B

You couldn't leave well enough alone, could you? Hey, shit sticks, it's Alf. Now, I was a little miffed the first time you had to go with me and Max, but I get it. It's the business. You're doing your thing. But you had to bring that shit up again. And now I'm pissed. And while we're at it, why don't you lay off Max, all right? He had a rough go at it. He was a good man. And sure, he may have a little house or two for money, but that doesn't give you the right to turn him into a pariah. Hey, go yourself. This is your last warning, all right? Don't you ever talk about me on your show again, or I swear to God, I will come down there and. And gouge out your eyeballs and little alien turns into your sockets. I don't remember Al cursing so much.

D

He broke something.

A

But rest in peace, An.

B

That was in her honor.

D

Really good timing. That was a spot on Alf, unsurprisingly.

A

Yeah, no kidding.

B

He's very good.

A

Guy's got the fastest.

D

I kept waiting for him to say the word Willie. I just feel like you have to say Willie.

B

Willie. Yeah, but he was the real life alf, not th. From the show.

D

Correct? Yeah, the actor.

A

Right, right, right, right.

D

Alfred.

C

Wait, have you guys not actually seen the outtakes of. Of elf cursing? Constantly. It's pretty funny.

D

Yeah, it's on the YouTube.

C

Yeah, it's on the tube.

A

Somebody added a timestamp to last week's episode, and it was. It was helpful because I think I just had sex. Maybe some fresh ears showed up to the pod because it's such an iconic short. And so they said, for the quades, start at 0 minutes, 0 seconds. For the pod virgins, 24 minutes, 54 seconds.

B

That's how long it took before we got to business.

A

And they were like, that's when you're not just fucking super confused by the shit they're talking. All right, we are now into part two of Just had Sex. And I had three comments that are specific to the short. But as I'm reading it, it's specific to any of your songs. Question about beats. When you get sent beats by others, are you given some period of time to review and claim them, or are they sent around to a bunch of people at the Same time. Is there ever concern that someone else might be working on a song with the same beat? Or is there a time once you start developing a song that you can claim rights to a beat beat, maybe? So many beats are circulating any given time. This is never a concern. That's a great question, and I don't know the answer.

D

Keev, you want to take it?

C

Yeah. Keith.

B

Yeah. We are concerned, and we definitely, when we start working on one, try to contact the producer immediately to put a hold on it.

A

Gotcha.

B

And have first dibs. And we have gotten into situations in the past where we start on one, call the producer and find out that someone has beaten us to the punch.

A

Beating you to the beats.

B

The most interesting example is on Pop Star with Karate Guy, where we had fully put it on hold, gotten through a version of the song, and then it had taken so long to, like, put it out because we were making a whole movie that the producer had maybe forgotten. I mean, we weren't mad at them. They just were like, oh, shit. So anyways, there was a song, and it has Lil Wayne on it, but it's from a different artist. But I'm blanking who it was at this exact moment. But anyway, so there are two songs out there. Somebody's gonna find it for us. And it's Karate Gu, and it's the exact beat from Karate Guy. And the way theirs had was way ahead of us. And the way that the producer and everybody gratefully made it work for us is if you look at the credits of Karate Guy, it's as if we sampled their song, this Lil Wayne song, even though, really we both all worked off the same beat, got the beat

A

at the same time, but since his went out first, you had to make it.

B

Yeah, that was like, we had sampled this song.

A

Gotcha. And when you sort of plant a flag on a beat, just to go back to our listener's question, like, what is the timeline that a producer will give you? Or is it kind of like a good faith thing of, like, you start

B

working out, I think, the deal, like, if this song does end up getting released, here's what we'll pay you for it.

A

Got it.

B

And here's how many percentage points if we're going to share some of the ownership or whatever it is, all the details, so they know. So there gets to be a contract in place, and then they can, I guess, put a time limit on it. But I don't think we usually do because it just takes so long for stuff to come out sometimes.

C

But they are being sent to many, many artists all over the world probably. And I mean a lot of these producers that we're sort of fucking with are very high end producers. So I don't know if it's like very selective of who they go to

A

or like, but, but it's never. There was never a case where producers like, hey, Lonely island, here are 20 beats I made for you guys and I love you this.

C

Sometimes, sometimes, sometimes if we've developed a

B

relationship or we put the word out through our reps, like Lonely island are recording looking for. So. And sometimes we'll get tracks from people being like, Lonely island, demo one, demo two. And it's just, it's ones that they made. They got inspired by hearing that we were looking for beats.

C

And sometimes we'll actually put the feelers out to be like, we want it to be big and anthemic and it's very rare that we do this, but like we have done it once or twice. And then the only other beat that I can remember that was I think for yolo B O B, I think had claimed that beat. And then we had to like sort of negotiate like of can we have it? Because we really love it. It.

D

I think it's pronounced Bob Bop. I'm just kidding,

C

right?

B

I like it.

A

I like when Andy, like just mid B pops up for a zinger.

D

Oh, no, I'm long done with the B. I'm not going to say what happened until the end. Obviously, that's what everyone's waiting for. Yeah, I know. I've been trying to figure out what the Wayne song was.

C

It's so weird though, because randomly the Lil Wayne song was also called Karate Guy, but it was a totally different premise.

B

He didn't like to kick it.

A

Oh, interesting. Same title, totally different premise.

C

Interesting.

A

Mr. Dabelina. Who does Mr. Dabelina.

B

Del the funky Homo Sapien.

C

I'm so impressed. You knew that Teth.

A

It came on like a mix, like a hip hop mix. I was listening to yesterday and it's so much fun.

C

I can't believe you know that song.

A

Genuinely. Really, this is so, so fun. Bob made me think of it because it is pronounced Bob. All right, so we're about to watch. We have not watched. I just had sex. But one listener wrote in. Quaid said, I searched for the song to watch it in preparation for part two. And YouTube's first video result was an ad for a June 25th James Taylor concert. So according to the market group at Live Nation, if you like the Lonely island acon and Parody raps about intercourse. You will love the harmonically rich and intricate melodies of Sweet Baby James.

C

That's true.

A

How many you guys did two shorts with James Taylor? I can't remember.

D

So I believe it's why I Do it by August Alsina.

B

Oh, August Alsina.

D

Yeah, I think I found it. Why I do it.

B

Yeah, yeah.

C

Why I do it.

A

This is why I do it. Boom, boom, boom, boom, boom.

B

Listen.

A

Right away,

D

say beat.

B

One, two, three, four. Oh, go Grizz. That's who did the beat.

D

Get off my dick.

B

Let me do me.

C

That's a million bucks.

A

I don't think that's real Sky.

D

Let's mash it up. I like to kick it. I'm a karate guy.

C

These Mind your business and stop Googling on me.

A

I do too on these. R Through the city with a Bad for me. This is my karaoke song.

C

Adding a little animation to any video is such an upgrade.

B

And when I say kick it, I don't mean using your foot. Not actually the line. I had to up our own lyrics.

D

No, you're fine.

A

Do you think they turned on each other when they heard karate Guy? Because it was so much better.

C

Why didn't we just do that?

B

I told you, August Alina could have easily been like, no, that's my beat. He. They can't use it. Like, I'm sure it had to get all the way to him to have him say, oh, yeah, that's fine. Let them do it. Because it would be completely within his rights to not let us sample his song, essentially to make a whole new song for sure.

C

Do you think Monty from Universal Republic had to, like, get on the phone and be like, you gotta. You gotta let this guy.

B

Please, August.

D

I mean, the real question now is, will he be rewarded in this moment and get a massive quump?

A

Right? Yeah.

B

Is there going to be a quump on the song why I Do it featuring Little Wayne?

A

Would you say he's an August gentleman? Is that something you would say?

D

Yes.

C

Yes.

A

Yes. Both of you.

D

Yeah. Both Jorm and I.

A

Yes.

C

Keev would.

D

No, Keev would never.

B

No. That's not in my purview.

D

He wouldn't dare.

A

Support comes to Willy's Remedy. Are you tired of waking up hungover and worrying about what happened last night?

C

Yes.

A

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C

Ooh.

A

Yeah. It's an alcohol alternative that actually works. It's uplifting. Do you like that?

D

Yes.

A

Euphoric? Oh yeah. It's a buzz you can really feel without any of the negative side effects.

D

I love a buzz.

A

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D

Willie Nelson's the and this is something I can get behind.

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D

I gotta get me some of that Willies unofficial jingle.

A

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D

You could say that again. Critics are calling it Pixar's funniest movie

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I am clearing the rest of the day. Disney and Pixar's Hoppers now available on Disney.

C

Rated pg.

A

This episode is brought to you by Google Chrome. You think you know a browser, but Gemini and Chrome?

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B

Compatibility and availability various 18 plus.

A

You guys ready to rock?

B

Yeah. Let's take a little look.

A

See?

C

Totally.

A

All right, let's. I'm so excited.

D

This is just had sex. Sorry. Did you not want me to do it?

A

No, go ahead.

D

Sometimes something beautiful happens in this world. You don't know how to express yourself. So you just gotta sing.

B

Look at that beautiful sunset. That roof, look how worth it it was. That roof, look how worth it it was. We got there exactly at the right time of day. Anybody else would assume we're on a green screen at this point.

C

This is not music video. Looks like I look. Look at my hair. I'm wearing a sweater vest or something.

A

Not to wet the palette anymore. It's still 10x better than I wish it would rain. Which will be my favorite rooftop shot. Fourth of Kind coming.

D

But here, let's start where we stopped. Which is. It's the coldest day of the year in like 12 years. And yorm and I's faces are frozen.

C

Frozen solid.

D

Mine is bright red. And that's after the color, correct?

C

Yeah.

B

I remember I always have my shot list when I'm directing with a pen in my pocket. And I take great joy in crossing off shots as we get them. And I remember taking off my glove and I couldn't get my hand to write. Like it was frozen. It couldn't hold the pen. Literally could not hold it.

A

I wish that segment could begin with Burl Ives. Is that claymation snowman from Rudolph?

D

Oh, yeah.

B

Now remember, it was the coldest day.

C

So it is not a music video look though. Like, we're wearing the wackest earmuffs. Every time I see it, I'm like, maybe it would have been worth it to just like really pick the shots and like take them off for one second. It's also crazy because it looks kind of like green screen. Like the fact that we're on top of the MetLife building.

B

That's what I mean. Anything else, this would be a big LED screen or a green screen behind you showing this. But we're just. That's just a real.

A

Can I just say one thing? I busted you guys for the earmuffs and a couple. Quaid said, like the earmuffs add to what makes it work so well, which is you guys are like dorky.

B

Right?

C

We're definitely dorkier than like.

A

It's a reminder. You guys aren't like the Bone Squad. You guys are guys who are like, probably had sex once and you still wear earmuffs.

D

Yeah, that's fair. It's. And that, you know, we did kind of want to split the diff.

A

Yeah, it's good. It's good diff split.

D

Thank you so much for saying that.

A

Yeah, you're welcome.

C

Best smile on the planet. This dude.

D

Chrysler building right behind us. So cool.

B

Yeah, also sh. The Chrysler building are famously kind of litigious. That they own the rights to their building being and stuff.

C

You think that they're going to sue us now?

A

Should we just throw in a quick ad so they don't burn us? Chrysler Pacific.

D

Hey, that's what we were talking about.

A

Minivan.

B

Yeah, yeah, yeah.

A

That's smart that we just paid. We just paid for it right there.

B

So the other thing I just noticing

D

how fucking cold my face looks.

B

Yeah, I'm just looking at Andy.

C

Me and Akon look very Happy. And he looks like he's gonna kill himself.

D

I'm in absolute agony. It's 10 below zero.

A

It's like somebody just told Andy, you know, in 15 years, you're gonna be talking about this on a podcast.

B

Yeah. He's like, oh, no.

D

He's like, no.

B

You can see that what I assume is the Hudson, but I don't know

D

which way we're facing stacks looking dope.

C

Yeah.

B

But the other thing I remember. So we're up there, obviously, we're blasting you guys with lights. And these are big, heavy lights. And it's so windy and freezing. They're like, we can't have anything above, like five feet up because it could blow off the building. That's right. Kill people down below. Because we are on again, I think at the time, the second highest building in all of New York City. And, you know, you can't have anything flopping off the side. And we had had plans to have things way up high to make things. I don't remember what. And this is getting towards. The other things that had to go way up high were Andy Jorma and Akod, which we will get to in a second.

D

Yes.

A

Can I just say, it does seem like the making of this is like the negative image to the sensation of having sex.

B

Yeah, just like the least.

C

It's also weird in filmmaking where sometimes you feel like people are being like nervous nellies and you're like, it's fine. This was like, yeah, don't put the lights up. Hi. It was like, this is so dangerous.

B

It felt scary. I mean, look, they're at the ed of the building here. That just happened.

A

Not.

B

Okay, There they are.

D

Barely move.

B

I like seeing this one because we can really see. So we built a platform so that you guys would be higher, which also feels dangerous because if you go to the back of that now you're over the balcony railing to.

D

That's correct.

B

That's ill advised. Ill advised.

C

I can't believe they let us do it.

D

To tell you, a big gust of wind would have been our end.

A

I'd love to look at a fan edit of this where every time it cuts to a three shot, Yorma blows away.

D

Now, Keith, the editing and the energy of this really works and feels really intentional. But correct me if I'm wrong, Akon's face was so cold, he couldn't move his mouth to do the lyrics. So we had to really fudge together each shot to get the shape of words. And then anytime he's not on camera, we don't have it right.

B

Yeah.

A

In the chorus, every time he wasn't on camera, he put his head in the microwave. Was that what.

B

There was a little. On a roof where there's. The top of the. The stairs where there's one door where you can pop out. There was that. And he would run back into it between each. Every take. To answer your question, Andy, Correct. And I recall this was one of the earlier videos when cameras got to be 4k instead of 2k.

D

Yes.

B

In terms of the quality, we were, like, shooting in full 4K, but the show just, you know, broadcasts at HD, so we don't need 4K. Ended up being one spectacular take of Akon where he hit it all. And we end up using that for almost everything. Cutting in and out of that same one.

D

Yeah, yeah.

B

To make it feel like coverage and energy.

C

Well. And just to get nerd nerdy for a second. HD quality is just under 2k. Is that right? So basically the math is that if you bump in from 4K to, like, you double it, you're still at 2K.

B

Yeah, we're still at full quality as long as the focus was tack sharp. Yeah. You can blow it up 200% and still be at full quality.

D

Not to split hairs, your. But 4 minus 2 or 4 divided by 2 is not that nerdy.

B

He didn't want to get into.

D

I feel like it's pretty standard.

B

The math is pretty. It's tricky stuff.

C

This is mean. It's still talking about math.

B

Well, HD is a little below 2k. That was where you were crossing it.

C

Yeah, that's the interesting part.

A

All right, we are open with seven minutes on your. On your tiny, tiny wrapped van. It's like, hey, we might get a little nerdy.

D

Fair dues, my bruv. My mate, my bruv. Fair dues.

B

Oh, that's so cool.

D

Across the pond,

B

Have you ever had sex?

A

I haven't.

C

Felt great.

D

It felt so good.

B

We're down in Soho, I believe, or maybe Tribeca, but probably Soho and just a cool apartment. They found that we got to, like, a loft that we just got to use.

A

And it was cheap because there was no heat and no windows.

C

Both me and Andy in this video are heavily caked in makeup.

B

Yeah, he looks crazy right there.

D

I look crazy in this video. Never been happy about it. It was that one first setup. It was way too much. It was someone we hadn't worked with before, and it made me. I had plastic surgery or something.

B

We loved working with these music video crews legitimately because we were so used to scraping by at snl, where we were still operating within the cracks of snl. Nothing like how it is now. So to have dedicated crew to us was always so exciting, but it meant that we were working with people we didn't know who might do something like that.

D

I think it's possible that I was, like, lightly sick and. Or hungover or tired or something, and they were trying to fix that.

C

Yes. I think you want were. Yeah.

B

Yeah. You look like you might have a cold to me.

D

I think it's highly likely, considering we were on the roof of the MetLife building in minus 20 degrees.

A

And Andy has, like, no defenses against colds.

C

No.

D

You know, I'm a fragile little, little flower. Especially back then.

C

His mother's curse.

B

This, though I do remember being totally comfortable. It was like just being in a really nice apartment.

D

Yeah, it was awesome.

B

It was a big space.

D

Yeah.

C

We shot. We shot both of the bedroom scenes here.

B

Yeah. We just kind of turned around and used the other. Other side of the same room.

A

Okay.

B

How did that happen?

C

Day of the show?

B

I think so we've got John McEnroe being the before is he's the meanest, and then he turns into a nice man with two thumbs up.

D

That's right.

B

How it's for people. What don't you get a lot of people listen on audio, Andy? Sorry, I forgot we're new to this. I'm explaining it for the people that

D

well, also, you just, like, skipped past Blake's first shot.

B

Well, we talked about Blake last week a lot.

D

We did a little idea, though, where I'm coming in singing, and she realizes I've brought a music video into our bedroom, and it. And quickly covers up, which I think is funny.

B

Oh, yeah, let's do that.

C

A girl.

D

Let me do it.

B

It literally just happened. Brought a music video into our venue.

D

She's like, what the. Yeah.

B

That is a surreal moment.

A

It is. You're right.

B

You.

A

You think she wants to share with the world that she just had sex, but it turns out she doesn't think that should be public. It's true.

B

This song is. You are talking to the camera and telling us that you had sex. So she is like, you clearly brought her, like, a reality crew in to be like, hey, so it just happened, everybody, here's the girl.

D

Not a chill move.

C

This is Megan.

D

But, yeah, McEnroe. I mean, I'm sure it was just. We were thinking about who the meanest is. Right. Or who would play as someone who's known for being Angry.

C

How did it actually happen? Because occasionally we put the feelers out to be like, you know, if you're around a crew. Can you just get us this shot real quick?

D

No, I guarantee you it was through SNL talent. And he was in New York and he just came down and we shot him on a green shot.

C

Yeah, but did we actually shoot.

B

We definitely shot him at 30 Rock.

C

Gotcha.

B

So he just came by SNL.

D

That was the first of a few times we collabed.

A

Yeah.

B

Do you think you were doing Never have I Ever voiceover together?

D

Must have been then or Seven Days in Hell.

C

Oh, right.

D

He plays heavily in Seven Days in Hell in theaters now.

A

He is the best. Yeah, this. I'm seeing Clifford and Seven Days in Hell double feature tonight at my local drive in.

B

And me, I'm just going to binge. Never have ever again. For those that don't know, Makima does the voiceover of the main character, who is a teenage girl. And then Andy guests for a boy that's on the show. A teenage boy, and he becomes his voiceover. Kind of like conscience, whatever you want to call it. Like his narrator for his episodes.

A

Yeah.

D

Love that show. Lang Fisher. That's the homie.

B

My kids loved it. They've watched the whole series more than once. And the best part is that when really emotional or huge climax scenes, no spoilers, but there's a scene where people are going to lose their virginity and it's under a poster for Pop Star. So whenever they're watching it and really into it, then they get taken out of it because it's the poster with all three of our faces. And I get, hey, I'm right above them. That's me. I'm right above them.

A

I know this is shouting myself out, but really, I just want to shout out, Mindy who? Friend all. There's a poster of me in the dorm room of one of the characters on Sex Lives of College Girls.

B

Is that true?

A

Yeah, that's how you know it's Game of Thrones type fantasy that a college girl would have a Late Night with Seth Meyers poster. But it meant a lot to me because I really.

B

That's awesome.

A

I really like that show. Great deal.

D

Well, congrats, Seth. You just ruined it for us.

B

Yeah, guess I won't be watching that one.

D

They put everyone up on the walls in those shows.

A

Yeah. And also, by the way, you're. At least Popstar had a poster. Like, I don't even think, like, you can get a Late Night with Seth Meyers.

C

Poster.

D

I'm gonna look that up.

A

Yeah.

B

You were like, can I get one of those?

A

Yeah, if you got a prop department, you can get one of those.

B

All right. Yeah. This is a funny shot of Blake continuing just having sex. You make a n out the meaning.

A

Never guess where I just came from.

C

I had sex. If I had to describe the feeling, it was the.

D

So now we got Alba.

C

That's a good phrase for him. She's not into my sex moves.

D

Straight up. Blessing us.

A

Yeah, it's a really good shot.

B

You both look great.

D

Thumbs up, thumbs down.

B

So, yeah, you're walking through. Is that the edge of Central Park?

C

No, this is lower down in. In the city. I feel like we, like, jumped out and got this.

B

Yeah. Yes. We did not. There was not a lot of planning. We knew that that was a really flexible one. It's the one in the treatment that we were like, nope, we did that somewhere else.

A

And just. I can't say again, for a music video, you rarely see the city this gray and wet and empty.

B

There's not another human being empty, gray, wet.

A

Just, like, muted colors.

B

Yeah.

C

And then I'm just popping off of the frame. It's also funny because those are my clothes. Like, the fact that we had, like, an actual music video crew. And then this is just.

B

Yeah, you're just wearing your clothes.

C

I'm just wearing my clothes.

B

Just like, walking to work. And it's so. And just to get back to what Seth said last episode, the overview, we want this to look and feel like a real Akon video. I don't remember the ones where he's walking around. Like, just a damp, dark city, happy and fun.

C

Yeah, close enough.

B

Yeah. They're usually more in, like, Turks and Caicos or something, you know?

A

Yeah, yeah, sure.

D

This looks like at least Miami.

A

This looks like a German television show.

B

This does look like he's. He's in Frankfurt.

C

It does look very Eastern bloc, but,

A

like, not on film. This is like how they used to do TV behind the Iron Curtain.

B

Yes. It just looks like he's doing a travelogue show. He's, like, in Frankfurt any day you can walk around the city.

A

If you go in early December, you can get a reservation.

B

Exactly. It's not the tourist time. You see, the streets are empty, and it's quite cold.

D

It's also like, here's how to buckle your seatbelt on the airplane.

A

Yeah, exactly.

C

It was nice with these long oner Steadicam shots, because as soon as we got them, we're like, okay, good. That's like, because. Right. Doesn't this follow into meeting my parents?

B

Yeah. Let's see what. This whole shot is where I just came from.

C

I had sex. If I had to describe the feeling, it was the best. When I had the sex, man, my penis felt great. And I called my parents right after I was done. I mean, I think like, that's basically like a Warner of like, I do that whole little verse. We obviously have all the little cutaways from all of those.

B

And you think we're just doing the punch in trick on that and not even do we think we did a close and a medium or.

C

Yeah, I mean, this. This punch in was obviously a separate location. She looks pretty German as well. My mom.

D

Yeah.

B

And that building behind you could easily.

A

Yeah, nobody has that shirt in Germany. The dude's shirt. No, it's not happening in Germany. That's how I know. That's how I know this is fake. This is not a German television.

D

And Yorm, just because we're freeze framed on the end of this parents shot, you feel like maybe you're a little too handsy with both of them.

C

This. This was a different era, Andy.

A

Okay, let's screen grab this. Let's screen grab this. And if you were. If you were in the game in early on, was this too handsy?

B

I remember it cost like 30. $30,000 to put all those Beetlejuice trees behind you. But we thought it was important for the story.

A

We were like, you spend the money on. You be into Beetlejuice trees.

B

It just fit the vibe so well.

A

I was done.

B

Oh, hey. Didn't see you there.

C

Guess what I just did.

A

Had sex.

B

Why are you coming out of the women's room?

D

Had sex in the bathroom.

C

We're just finding day in the life. He's coming out of the bath.

D

It's implied in the song.

B

Also, why are you in the same outfit as Yorm? Almost identically?

D

Because we're just two regular guys that can't believe our luck.

A

Knew if you doubled up the clothes for the same same look, you would have money for treats.

D

By the way, again, these are my actual clothes. 100%. That was my flannel and jacket. Can't speak to the T shirt.

C

Are we implying though, that you had sex in the bathroom in this shot?

D

Yeah. And are we in a Starbucks like proper, or is this just the cafe?

B

I think we might be in a Starbucks.

D

Yeah.

A

That's a real face.

C

Blake's really selling that too.

B

Yeah, Yeah.

D

I look like the Grinch.

A

Alfred makes an appearance.

B

Yeah.

D

With a hair net.

B

This is my flipping copies. You know, just as important time on a boat as the.

A

Yeah, yeah.

B

As the non performing third member.

C

Except for I'm still a scrub too.

A

You look cool as.

C

Let you do that thing. Nice of any girl ever.

B

Now say I just had. I mean, because we don't do a wide of the cafe. The idea that, like, you came out of the bathroom and wore the baristas or whatever behind the counter, it's like a Starbucks is kind of lost. Yeah.

D

Was that the intention?

B

Yeah. Because otherwise, why are me and Yorm dressed like that out of nowhere?

C

Yeah. We're at the coffee shop.

B

We're there. We're behind the counter here. And I think if you could let this shot go a little longer. You're making your way over, revealing us standing there.

D

Yes. And then Yorm starts his line.

B

Yes. And I think just in editing, it's one of those things where we were like, oh, it took too long. It never quite matched. Didn't have the energy. It just cut.

D

Well, then we go back to Blake probably.

B

Right, right. That was probably the moment when it revealed us.

D

And you're like, do we want to do this neat shot or do we want to get more of Blake Lively in the video? And the answer is clear.

C

It's confusing on two levels, though, because are we implying that he had sex in the bathroom too? Oh, hey, didn't see.

D

I think that's the start of it, is we are implying.

B

So you had sex.

D

It's a new verse. Yeah. Whoa.

A

Well, well.

D

Okay, so now that's hella interesting.

B

I think that the whole song is celebrating one sexual encounter.

D

So he's. It's the same sex and now he's just like, continuing the thought. But also during Yoram's verse and the chorus, he went to the bathroom and now he's picking it back up.

B

Yeah, the women's room.

A

So maybe my thing is you're actually such a dork that you have had sex and now you're like, got like a little bit of brain fog and you accidentally walked into the women's bathroom.

D

Brain fog.

C

Fuck.

A

I was hoping nobody caught it.

B

I just had Seth with my brain flogged.

A

All right, here we go. Stumbling. Hashtag stumbling.

B

Are you at her house or your house? You know, I think just asking because of this. This kind of bear and seahorse. Or giraffe.

D

Giraffe, yeah. Giraffe with a bandage on its neck.

B

Yeah, yeah. And the otter or bear here is getting an idea.

A

Save it for your art podcast.

B

Yes. Okay. This is in Central Park.

D

Central Park, Yes.

C

That is Central.

B

Now, did you think we went to Central park being like, oh, let's go to this, or did we just go and go, we'll find something?

D

That would be a question for you. Did you scout it? If not?

C

I think we loosely scouted this area and the little stage area that's right near here. The little, like, clamshell.

A

Do you think you were like, should we go somewhere where maybe some hobos have a fire and an oil drum just for heat?

C

This is classier than that.

B

Look how classy this looks during the day. It wasn't as bad.

A

Like, you were literally like, it's so cold. Let's get out of the cold. That's right.

B

It's normal. Like New York at its coldest here, though, as opposed to at night.

A

Well, because. Yeah, right. You get. You came down from the heavens. Yeah.

D

But yes, this location obviously has been shot before, but the ceiling is so rad.

B

Yeah. The production value of just that. It's a place you can just walk to in New York.

C

Kee, what is the name of our Steadicam dude who's so rad?

D

Steady Phil.

C

Just. Oh, Steady Phil. Yeah, of course, Steady Phil. Like, Steady Phil. Our steady cam up was incredible. And he would do these insanely long takes. This would be full steady cam, like, for know, four minute shots that he would. Yeah. Very, very handy. We couldn't have gotten through this without him.

B

Definitely.

D

Ke. What was his last name?

B

I. I don't know.

C

No, his first name is Steady. His last name is Phil. Right.

D

That was my recollection. But then I feel like Kee was like, no, that's not right.

B

Dina or Rach will tell us. I mean, we really did it with the Irish bar and our Armageddon shots.

A

Nobody's enjoying it.

C

Not yet.

B

No, no, they're watching it like they're

D

watching a new awe.

B

They're watching a news story about, like, Armageddon that's gonna.

D

Yeah, there's an asteroid headed towards Earth. Was the tone we were giving everyone, like, okay, now act like you're seeing the craziest, like, earth shattering news.

B

To be honest, I'm surprised she even wanted me to do it.

C

Doesn't really make sense, but, man, screw it.

B

Why are you guys having a spa day? Just treating yourselves.

C

We deserve it.

D

It's a celebration, cuz we're so happy. Yeah. It's like, now we got a dish.

B

Yeah, yeah.

A

Great look. Great.

B

Very nice.

D

Keep working that Petty.

A

Keep back working the Petty. Keep working The. His aviators.

B

Yeah, yeah.

D

Now, is that your. I think that's your foot, right? Or is that my foot?

B

I can't tell.

C

I think that's.

A

And hit us in the Titus. Whose foot you think that is?

D

Yeah, Zingus and the dingus. Was that what it was?

A

Right. Let us know in the toes.

D

It wasn't Zingus in the. In the dingus, was it?

A

No, Pingus in the dingus.

D

Pingus in the dingus. Zingus works, too.

B

Yeah, but Ping. Ping makes sense because ping is, you know, Pingus.

A

Yeah.

C

I ain't one to argue with a good thing.

B

She could be my wife. Now, these people, Time Square, there's no way we had this extra get petties. Are some of these people normal tourists?

C

Yes, they are. Because I remember that we actually just collected people, and then we got, like, NDA.

B

Like, we started doing it with, like, a core group. And then as more people would come over to just look at the. We'd be like, no, no, come get in the shot. Just get in. So you're all looking up at this billboard like it's news. And so these are just people that were in Times Square.

A

And let me just say, shout out to Times Square, because if you said to a casting person, give me a diverse group of people, you could not do better than this random group of people that was in Times Squ when

D

you were shooting all there in the tickets line for Broadway shows.

B

And they all did it. Like, none are looking down the lens or anything.

A

Yeah, they're all really good.

D

I also really like that what they're looking at in Times Square is me and Yoram in a spa with little robes and towels. Like, the most mundane,

C

mundane conversation.

B

They're like, we have to stop everything we're doing to check out this news. This hot gossip people. Dolly.

C

Oh, this is intriguing.

D

I mean, in the minds of these guys, it's this worthy. You know, the news is this worthy.

B

It's also interesting that we didn't put, like, a ticker on the bottom, like, as if it was a news story. Like, dorks have sex or whatever.

C

Oh, that we should have done this

B

because there's no audio in Times Square. Yeah, you're not. You can't hear what the TVs are doing.

A

Yeah.

B

So they're just. They're just glued to your faces talking. They're like. These guys are saying something.

C

It.

D

Yeah, it's a missed op. And speaking of ops, ke, you got a message for your ops?

B

Maybe? Like, hey, I'm all right.

D

Okay. Great, let's jump back in.

B

We got the Adams family. We got Jersey Boys. We got Wicked. I mean these.

A

Yeah, I was gonna say shout out to Jersey Boys in Wicked. I think both still running.

B

This could be today. These are all very popular things.

C

Good for them.

A

And even up top on the ticker, it says over monetary tightening. That seems like something that could be on a ticker in times ever. I don't know the whole story, but

B

she could be my wife that good

D

seconds of my life.

C

I'm so humbled by a girl's ability to let me do it.

B

Cuz honestly, I'd have sex with a pile of manure.

C

With that in mind.

D

The soft, nice smelling girls.

C

Did we build that spa? Was that in.

D

No, it was location.

B

Yeah, we just went to a nail salon and then obviously smoked the hell out of a room.

D

Oh, are we trying to make it look like we're doing like a Schwitz?

A

Yeah, yeah.

B

Like a steam room.

D

We're no longer at the mani pedi

A

now you've moved on.

D

Copy you.

C

I like to go from a shot like us in a steam room too, than you sitting in bed next to a pile of manure.

D

Yeah, it's not like a great look.

A

It's. Yeah.

B

I remember this steam room because it was really decidedly not one. It was just like a white bench pushed in front of a white wall. And we were just like, we can make it work if we just.

C

Yeah, that's what I mean. Like I thought that we like built it a little bit or something.

D

Our first of two steam rooms in our videos.

C

Right.

D

Because isn't there one in yolo?

B

Yeah. With all the piranhas.

C

That's more of a sauna.

B

That one we built.

D

Yeah, that was a build. Yeah.

B

You can actually see the door handle behind you.

A

And was the pile of manure a build or was that pre existing?

B

We're just in a hall of somewhere. Look, that's just a door. You wouldn't have a door in a steam room.

D

I would. How else are you going to get out?

A

Burned you.

C

Come on.

A

Guess what? I'm in the future. You just burned to death. You just died of dehydration. Put a door in your steam room.

C

Fuck it.

B

Not behind you. That's an all white one. It's a nice one.

A

You gotta have two in case somebody puts a broomstick through the handle. Thomas's style.

D

Anyway, Keev, message for you.

B

Your ops just like, hey, give me another shot.

D

All right, let's keep going.

B

Maybe the climax of the video

C

that's definitely the first time he.

A

Everybody in the club say that's where they drop out the sound in the club. So everybody else. Manure.

B

Yeah. So everyone could sing manure.

C

Look how good natured he is.

B

Album's not even out, so we're selling the yet unseen album cover.

D

Yeah. This is like doing the Santana dvx, and I'm on a boat where it was sort of like referencing ourselves.

A

This is the moment the look became iconic. This is the beginning. Now, of course, it is everywhere. You can't imagine what it was like the night they first saw.

C

My pecs are looking not great.

D

It is the classic turn, like, in chain look, but the sunglasses are more Space hog.

A

Yeah.

C

I was trying to put a term that would fit to it, but you nailed it. Space hog.

D

Yeah. We all remember Space Hog.

C

Yeah, we look way cooler.

A

Yeah. All right, Andy, you can pick anything. Favorite Space Hog song all time, But can you say what the title of that song is?

D

It's got that funky little bass line. The beginning. In the meantime, grab me up, right?

A

Yeah.

D

Skies blue.

B

Beep, boop, beep. Space Hog.

C

Oh, they have in the meantime snorts in there.

B

Yeah, it goes beep, boop, beep. Space Hog.

C

That's them pushing the space buttons.

D

Guys, remember when this aired, and everyone's

B

like, I can't believe you got space

D

hog in your video.

A

This is a total left turn. But I have a friend who will sometimes say, I'm gonna surprise you in New York City. And the way you will know I'm surprising you is you will hear the beginning of in the meantime by space. And he once did it where he came. We were in Chicago right after we graduated. He goes and he, like, called a shot. This is how it's known in the lore, where he's like, I'm gonna get every one of you. And I was like, in my apartment with a roommate who didn't know him, and all of a sudden, I heard that song, and I was like, why are you playing that song? He's like, I've always liked it. And then, literally, this dude tapped me on the shoulder.

D

He's like, that's so dope.

C

Yeah, that's really good.

B

Yeah.

A

Shout out to Doug Stradley. Support comes from npr. NPR believes in right to be curious and ask questions like, who's really behind that decision? How is that thing that happened going to affect my life? And why would anyone in their right mind. Name a podcast. Wait, wait, don't tell me. Wait, wait, don't tell me. Is NPR's weekly news quiz that brings together today's funniest comedians and a celebrity guest for a send up of the week's news. I did it once. One of the great days of my life. On Wait Wait, Don't Tell Me, host Peter Sagal and a rotating cast of comedian panelists turn the week's headlines into punchlines. When they say celebrity guests, they mean the IT people, the A list. Everyone from Justice Ketanji Brown Jackson to Chaperone to Guar have come on to play Wait, Wait, don't tell me. You can play along with contestants to test your knowledge of the week's news. It's just like being there, except you have a zero chance of embarrassing yourself in front of a massive national audience with games like Bluff the Listener, the Listener Limerick Challenge and Lightning. Fill in the blank your curiosity for the news all week. It's rewarded. Follow and play along to NPR's Wait Wait, don't tell Me Podcast. Yes, that's actually what it's called. Support comes from AG1, you guys. It's the summer, you know, maybe traveling more, maybe later nights, packed weekends, I don't know. Here's the important thing AG1. If you have it in your routine, it helps everything else stay consistent when life is getting a little little unpredictable. Because look, summer is when we let things slide a little bit. That's the point of summer. But one thing is very easy. Only takes 30 seconds. Covers your bases no matter what. It's a scoop plus 8 ounces of water every morning of AG1. This is a healthy drink with a multivitamin, pre and probiotic superfoods, antioxidants, one scoop. How many ounces of water everybody? Eight? Don't do 80. It's just gonna throw off the whole balance. Late nights, long weekends, spontaneous plans. Life happens. AG1 helps you keep one something consistent. That's your high quality nutritional sport every single day, no matter where you start your morning. It's really nice. Travel with it, very easy to carry with you and I tell you you have it in the morning and it just makes you feel better over the course of the day. Visit drink ag1.comisland to get a free morning person hat and a free AG1 flavor sampler in your welcome kit with your first AG1 subscription and $82 value. That's drink ag1.com.

B

You can't reason with the sun.

A

Trust us, we've tried. This summer, it's time to put that

C

angry ball of fire on mute. Columbia's Omnishade technology is engineered to protect

D

you from the sun's harsh rays that can burn and damage your skin.

C

The sun is relentless, but so is our gear.

A

Level up your summer@columbia.com to spend more time outside and less time slathering on outside lotion.

C

You're welcome. Columbia engineered for whatever.

D

Here's a tidbit. It's not Space Hog. It's the Verve Bittersweet Symphony. When Jonah Hill hosted, he wrote a sketch that didn't go to dress, where it was just him and some friends, and they had rented a stretch limo for the night. And they're like, it's gonna be the best night ever. And then they start playing Bittersweet Symphony, and then it keeps cutting to later and later in the night, and the CD is stuck. It just keeps playing Bittersweet Symphony over and over again, and they start going crazy. Every time I hear that song, I think about that sketch. That didn't happen.

A

It's okay, though. I. I'm looking at Space Hog. It's. It's a little Space Hog, too. Glasses wise.

D

The glasses. Yeah.

C

Yeah.

D

But we're fine. We're goose.

B

You guys are thinking that Space Hog is about, like, someone who takes up too much room, like, you're hogging all the space, as opposed to beep boop.

C

I think that's a. A different band.

A

There's a. It's a real. It's a real problem on the side subways.

B

Right. This guy's a total space.

C

Look at this Space hog over here.

A

And when they spread their legs, they're like. That's, like, the noise it makes as they slowly put their bag on a seat.

D

They almost called the band Manspreader.

A

Right, Exactly. The best is how much we talked about Space Hog, and then Andy was like, oh, wait, it's the verb.

D

No, the glasses are decidedly Space Hogesque.

A

Okay, got it.

C

Got it.

D

You weren't made with Gaolean craftsmanship.

B

There we go.

C

And my turtleneck sweater.

B

So this one's dedicated to them.

A

Girls.

B

Guys, let us flop around on top of them. Did SNL do this effect for us?

D

No memory.

B

They did a great job.

D

Iconic frame. If you're on YouTube.

A

Yeah, yeah. Iconic frame.

D

The skywriting. Also not green screen, which is crazy because it just looks very much like it is, but it isn't.

B

No, everything's real.

D

Yeah.

C

Was that one actually on the shot list, or did we come up with that one? One on the day?

B

Yeah. Did we just get that shot?

C

I think we got it on the day.

B

We might have also just reframed a Big, wide shot and made it all sky and then done it later.

D

No, I think we knew we definitely were still in the mode of, like, you want specialty visual joke shots, right?

C

Yeah, yeah, yeah.

B

Well, with the cake and everything.

D

Exactly. The cake and the skywriting.

B

Not to mention you guys, epic high five.

D

Thank you for acknowledging it.

C

I mean, we had to. We had to kind of pat it a little bit because this song has less. Less visuals.

D

Just cuz, you know, you're always just looking at yourself. Go back to the last shot of Aon singing. And I'm just adjusting my. My ear muffs the whole shot.

B

So cold. Yeah. Just like, let's get out of here.

C

This crying shot of you on top of Blake crying. She just wins one of the most quintessential. Andy.

D

It's very much on the edge of not okay. We all know. And I've never looked more like a Simpsons character.

C

I think she might have been a racist and I think she might have been a racist.

B

Yeah. Well, you're just like, hmm, that's a weird lamp covering Clan who hood.

D

Just like, propped right up next to the bed.

A

Yeah. Also very good instinct by all parties not to have our friend Jessica Alba in the two shot.

D

That's right.

C

Yeah.

D

This is a solo yarn.

B

This was done without her there. I just realized that I'm playing our version of the Post, but I should be playing the SNL1. So we're hearing laughs this whole time.

C

Raucous laughs.

D

Should we do another episode?

B

Yeah. Oh, some sparklers that cost money. I'm the commissioner of the Sex Olympics.

D

Yeah.

C

Why are you top hat?

D

Top hat and sunnies.

A

Was that the day you went and shot your part in the Tom Petty biopic?

C

I like how you can see how cheap the Sex Olympics sign looks.

D

Keith walked out of this frame and into the Don't Come Around Here no more video.

B

Yeah. Actually playing the same role as the commissioner of the Sex Olympics in both.

A

Oh, interesting.

C

Gotcha.

A

Yeah.

B

These are the same Beetlejuice trees, but we moved them around a lot because when you spend that much money, you try to get them in a lot of shots.

D

You gotta get as much use as possible.

C

We kept saying, no fucking leaves. No fucking leaves.

B

Nothing says a fun and happy video look than just being basically in a cemetery.

A

Yeah.

D

The Sex Olympics banner. Real. Despite how. Oh, really looks. Yeah.

A

Because that looks less real than the skywriting.

D

I know.

B

That is definitely.

D

But it is real.

B

I mean, it's because of the font is so like, fake 3D lettering on the S. Especially that it looks a little fake, but nope, we've really hung that. And they really had to pull those cables and shit.

D

Someone somewhere probably has that. Or it's in like a closet somewhere.

C

It's probably a Paul Rudd's house.

D

Too embarrassed to hang it.

B

You guys both got gold medals. That's so great.

A

Yeah. Congrats. This certainly went better than the Space Olympics.

B

What about the Space Hog Olympics?

A

Booyah.

D

Oh, now we're getting into it.

A

Booyah.

B

The fact that that's real is so crazy.

C

It's so crazy.

D

So key change.

B

Yeah. On the keychain. But the fact that Akon just flew off the second highest building in New York to go even higher.

D

Yes. So why don't you explain how we did it and what's happening?

B

So there's. It's a jib arm, right?

D

Giant jib arm.

B

Giant. With, like, huge. The kind of thing that you might see a construction worker on to, like, change a light bulb on a street lamp. Like a basket.

D

I don't know how we got it up. There must have been a service elevator in pieces.

C

They had to, like, pull it with pulleys.

B

It was brought up in pieces through a freight elevator. And then they built it up there

D

on top of the MetLife building on the windiest, freezingest day of the year.

B

And it's probably three in the morning at this point.

D

Yes.

C

Even crazier than that, though, because we got service elevators. Right? There's. There's one level and then there's a level above that level. So they had to pull everything up with, like, pulleys and everything, and then build it on top of the secondary level. It's so dangerous.

B

That's true. The elevator does not go to the roof.

C

Yeah.

B

And then also that we were too scared to put lights high because they could blow off the roof. But we put you guys high.

D

Oh, yeah.

C

This was so scary. So he's on a little chair that's floating up, up. So the shot is the three of us, and then he just starts to lift out of the frame. Everybody say,

B

we all had sex now. People are really.

A

The girls shout change.

D

Gets everybody out their seat. And everyone's feeling good about it now.

B

Yeah. This family.

A

I don't want to be a huge drag as you guys explain how risky that shot was and all the pieces to it. Definitely. When I watched it, I thought the camera moved and you guys just, like, knelt down.

D

Yeah, that's.

C

Yeah. Yeah. Again, wait.

D

Let's see if any of the shots ended up making it clear what was happening.

C

All right, so there's one of me on the tv, that I'm doing it. But there's. It's not necessary.

D

Yeah, but you can't tell.

C

Yeah, but.

D

So we're loving Blake and Jessica, getting into it and groove. Yeah, I'm loving Bag on His Head version. Dancing.

C

Yeah, that's a good shot.

B

The Irish bar singing. We got all the people in Tong's Garden, you see, they're all doing their. Waving their hands in the sky, like at a concert, back and forth.

D

A lot of little detail work to give it all the energy.

B

Yeah.

D

Also, if we didn't need me saying everybody sing, we could have probably seen Akon rising all the way up.

B

Yeah.

D

And maybe that was a mistake.

C

Alba really whipping her ponytail in my face with that one.

B

Back to McEnroe.

D

McEnroe's back. Yeah. And then what's next?

B

Keep on Times Square.

D

Me keep singing.

C

Oh, we got.

A

So who.

D

We got our two producers rubbing our back shirtless.

B

Yeah. So that's Rob Smythe. And then I recognize his face, but I'm blinking. It's been so long.

D

It was Rob Smythe's homie.

B

Yeah. Rob Smythe's friend. Fifteen years ago.

C

Rob Smythe. We shot so many videos with Rob Smythe. Right.

B

So that's you, Andy, on yours. But again, we could just be faking it with the camera angle so easy.

D

Yeah.

B

In terms of you right there, that's you on the back.

D

That's me like 30ft above the top of the roof of the building.

B

Yeah.

D

And like, definitely after each take being like, holy shit, I swore I was about to die.

B

Yeah.

A

You're like, but tell me it was worth it, Keev. Tell me it was worth it.

D

And then so, Keev, tell me how we shoot this a different. Different way where you then could be like, it was worth it.

B

I mean, now you would just send a drone up to get the background, and then we would just be on a. Inside a soundstage.

C

No, but to do this for real.

A

No.

D

I mean, practically.

C

Yeah.

A

How would you be able to tell that it's real?

B

I think it has to be a one or like the end of that Bjork video that Spike Jonze did.

C

Right. Either that or we had a secondary crane and that's getting footage of you. So it's spinning like, as he's going up.

B

You're also problem is that the look of you having to be strapped to this chair is not cool looking.

C

Yeah.

B

So we can't go. Go wider to, like, show. Holy. He's doing it because you'd be like, why is he sitting in a bizarre chair strapped in?

C

No, but you would have got more parallax, though. So, like, if. If the one camera is going. As he's going zipping past that, it

B

would look cooler if they're not attached to each other. Yeah, but still, you would just think we faked it because of the nature of how tight it has to be.

D

You. Can I say something?

C

Yeah.

D

I was genuinely impressed by your use of the word parallax.

A

I was, too.

C

Yeah. Thanks, Andy.

D

I was like, nice.

C

Well, I was trying to make up for the whole two plus two. Two is four things.

B

But honestly, if it was a oner, where you guys are walking on the roof, and then at a certain point, we don't see how you get strapped in because we're in the same medium, and then all of a sudden you start lifting up and are flying, then people would know it's real. You know what I mean?

C

Yes. Yeah, man.

B

But it has to be a oner.

C

Well, it was also so weird because it was like you were strapped into the chair, which is supposed to imply safety, but then as soon as you're up there, you're like, the whole thing's going to go over, so it's not going to matter.

B

You're just going to be straight up

C

to this fucking chair and then fly off the roof. It was fun, though. It was fun.

D

Yeah.

C

Got your blood going.

B

Oh, there's. There's the wide shot of that. That it was going to.

D

Yep. And I'm guessing this is the last time we did a shot of us all just staring at this camera and nodding.

B

You know, never say never. We've got more videos to watch.

A

And I remember you guys, remember you made a big deal out of it the next Monday. You were like, hey, we're not going back to that.

D

Well, don't ask us to just look down the lens and. Not anymore. Okay.

A

We're out on that.

D

We've grown as artists and maybe put

C

2% less makeup on us.

B

We did used to, as we were developing our style, say, okay, if it's a joke shot, we always make sure we get it in slow motion, not saying the lyrics, so you have a break from watching somebody say words to you. But you definitely see that employed here with tons of shots like this one and the cake and the high five, you know, where. If it's a joke, you know, all the ones of the crying over Blake or whatever, they're all slow mo and they're all without Lyrics being said?

D

Yes.

C

Keith, is there a certain speed of slow mo that you like for these kinds of shots? What are we shooting at? 60?

B

I feel like we would always go way slower than we needed to and then realize we needed to speed it back up. Like, 48 never seems slow enough. So we would do 96, and then we'd get an edit and realize we had so little time to show what happens that we'd end up speeding it up some.

D

And what about the Parallax?

C

Yeah, what about that parallax, Keith?

B

The Parallax view? Yeah, I love Parallax. You know, you feel the background going one way, the character, characters going.

C

There's a fun thing if you shoot at 30 frames and then speed that up. Like, if you use that as your slow mo, it gives us really nice, just ethereal little something.

B

So, yeah, that is a nice little tidbit.

C

I explained it.

A

Very nice.

B

All right, this again. Everyone's heard us talk about how we didn't have the, like, cruise that they have today with VFX people and stuff, which. Which we didn't. There was no way for us to get this shot done. It's way more complicated than you would think. Obviously, there's nothing. They just did this pose and we said, no, we'll put fireworks. And everyone's like, how? Because you need the fireworks going at the exact right angles for the shot in the exact right ways. And it wasn't just putting it. Like, no one could figure it out. And the Katy Perry firework video had come out earlier that year or maybe the year before and was just a huge deal. And if you recall, fireworks come out of the chests of everybody in that video over and over. That's a, you know, million dollar. Whatever it cost. Dave Myers, who is the biggest music video director ever, directed huge video. So I was like, how did they do it? And I cold called Dave Meyer's production company. He had or has a video production company called Radical Media. And I knew that and I called the first front desk and just explained who we were and that we were at SNL and we were on a super tight thing. And I need to get to Dave Myers to ask him how he did the shot asap. And she said, hold and basically got me his email, like, got permission to give me his email. And I cold emailed Dave Myers and he was like, wrote back pretty quickly explaining that it was a company out of Texas that did the VFX work and that they had gone to Budapest and shot for two. Two nights different fireworks going off for the plates over black. Like, that's how much money they had, where a team could just go out and shoot fireworks. So they had all this stuff. And so then he got me in touch with them. This is all within, like, 48 hours of the video coming out. And I'm talking to these guys in Texas explaining what we're doing. And they're super down to help. Just God bless them. Like, that sounds so fun and cool. It's snl. Send us the shot. So we found the shot way before we had even edited the video. And I sent them the shot, and they went back into their hard drives and found the plates from Budapest and made us this shot and gave it to us on, like, Saturday afternoon.

C

So fucking nice of them.

D

So nice. So generous with their time, too. That's amazing.

A

Yeah.

B

I remember we sent them a bottle. They. I asked them if we could pay, and they. I don't think we paid them anything. They were like, no, we're good. It was just for fun. We love. Like, it was cool. And I think we sent them, like, a bottle of champagne with a big thank you.

C

I love stories like this. When Akiva gets super motivated to just track some shit down, fig out an idea is like that we gotta get exactly. That makes it happen. Like. And again, like, he's talking about in 48 hours. It's not like it's, like, to do all that within the time that we.

B

Yeah. These are people that I would assume don't work on Saturdays generally.

C

Oh, no. Yeah. It's amazing.

A

Can you go back to 153? Somebody wrote something that I was curious about. So it's when Andy puts his headphones up. Their question was, it looks like it's in reverse, like, the way your hood comes up. They asked, is this shot played backwards? Because your hood flips up so fast it looks like it's coming down. Just watch it again. Oh, the hood just, like, flips up in a weird way.

B

Yeah. It is your hood. Right. To get warmth.

C

Hey, Keev, I figured out the name of the company that gave you the fireworks. Radium. A real VFX company from Dallas, Texas.

D

Yeah.

C

So shout out those guys. That's very nice.

B

That you. Yeah, that does ring the bell, as they say. Yeah, it's just the hood flipping up.

A

The way it flips up. I can see why they asked if it was played backwards, which it clearly wasn't, but that thing goes flying up.

D

Yeah, we got to get into those. Into the footage.

B

Yeah. But we definitely did not do anything backward that'd be impossible for us at that point. Not impossible, but you know what I mean, like with these two guys moving forward. Because I was going to say, what if we had split screened Andy and put him in? But there's no way with all the.

C

Yeah.

B

Parallax.

D

Thank you.

B

That we could handle that.

C

Let's just say parallax a lot.

A

There is no way though, now that. Yeah, now that y got credit for it, he's just going to keep going back to the parallax. Well, I.

C

You guys have been saying it the way that.

B

That the background is genuinely parallaxing. There's no way, like we would been able to like cut Andy out. And if we did cut Andy out, we wouldn't have put in a version of Andy where he's with his earmuffs. Anyways. Good question. But no, good question.

C

You guys. The caterer just got here for round two of the party, so.

B

Oh.

A

Oh.

B

It's like. And then tomorrow come on by for some brunch.

C

I gotta. I gotta blast some tunes too, because these jokers look like they're not having a good time.

D

I just want to point something out. Seth just texted me that he got queen bee during the pod.

C

Oh, fascinating.

A

No, well, because it was wrapping up and I was close. I was close and I felt like

D

I could get it.

A

Guys, is there any truth to the rumor that he requested you guys change it to the Lauren Le island?

B

That's actually in the. The documentary Lauren now on Peacock.

A

Oh, he says he wants it to be the Lauren Le Island.

B

Yeah, it's just footage they had. They actually caught the moment he asked.

A

Oh, and then there was like that six minute scene where he's like talking to the rest of the staff. Like should I even mention it? It is it dumb

B

cuz people, they already put out one album. Will be confused.

A

All right. Hey, Jack Black seconds in spelling.

C

Be

B

spelling Be

D

one hint.

C

What?

D

Not the be one hint.

A

You didn't have your coffee. Can I guess the word?

D

Yeah, guess the word.

A

Log roll.

D

Yes.

A

All right, that was my last one.

D

So that was your last one. But you used hints, obviously.

A

So many log roll.

D

I was clean, Quibby clean, clean bee. And then couldn't get log roll. Had to get the know that it was an L. Yeah.

C

Andy, do you ever. When you do no hints, do you ever say to yourself, no stems, no seeds, no hints.

B

Oh, like Lauren.

D

No, but I will now.

C

Okay.

A

Okay, that's a good one.

D

And you're.

C

Yes.

D

Did you get nice.

C

I will. I'm gonna go poolside and then I'll see if I can get to solid today. But I'll let you know.

A

I mean, you worked real hard. You had a wedding and fireworks and all.

C

That's the thing. I still do not know where my phone is, guys. Yeah, it's hard to do the B when you don't have a phone.

D

So I guess we can't do like a future Borat until we know for sure. You get nice, right?

C

You're reducing me to nice. I usually get solid, bro.

B

Yeah, but when you got nice, you went, that's a nice.

C

Oh, that's nice.

A

A solid.

D

He doesn't say it's a solid.

B

I could ask Sasha to send us a solid.

C

Isn't nice one word?

A

I will tell you. The biggest burn I got yesterday was that I didn't get non word as one of my words, because the amount you're like, well, that's not a word. Why? Oh, yeah, there was a crossword day. I mean, not really, but there were three that could have been shout outs to us. Well, one was Bay area airport code, but then it was sfo, so that. That's like almost a slap in your face, Right?

D

I think any reference to the Bay area is a winter soldier.

A

Okay, so we have. There's three winter soldiers in this. It was a Bay area airport code. Blank recall.

D

I saw that. I was like, oh, they winter soldiering again.

A

And then my bay area, which is rival of a Raven, and it was Steeler.

D

I did see Steeler.

A

So that's kind of triple.

D

Triple win.

B

Yeah.

D

They're up in our heads.

A

Well, this was just delightful.

D

We all buc Es.

A

We all buggies. Look at. I mean, real, real strong. Part two of just had sex. And hey, by the way, happy Father's Day.

D

Happy Father's Day, Jess.

B

Happy Father's Day.

D

We all had sex.

B

I might take the kids to Costco.

C

Oh, that's traditional.

A

Do it up.

D

And Keith, before we go, any. Any message for your ops?

A

Just give me another shot, guys.

B

I'm all right.

A

Love you guys.

C

Love you, Seth.

A

Love you.

D

Love you, guys. Later, Arnold.

B

Later, Quaid.

D

Later, Ghostface.

B

Later, Quaid.

D

Later, Jack. Later, Quaid's later, Jack doing Ghostface.

C

Later. Quaid's later, o'.

D

Brien.

A

So you do remember my name.