David Cummings

Water. It gives us life. We are drawn to it, yet it holds immense power over us. It can bring unspeakable horror to the most familiar places. Your morning shower, A tranquil riverbank or the the endless ocean. It's time to dive deep into the abyss. From the dark waters of the Cape Fear River. Immerse yourself in horror as you brace yourself for the no Sleep Podcast. Thank you for joining us for the no Sleep Podcast. I'm your guest host. No, actually I'm just your host, David Cummings. Well, the balloons have popped, the streamers taken down, and the leftover cake has gone stale. Yes, we had a lot of Fun Celebrating our 15th anniversary. Thanks to everyone who made it so special. And there's no sleeping here at the no Sleep Podcast so we're well into our 16th year as we keep the horror hits comings coming, keep them coming. I also want to send a big hug of thanks to all our guest hosts who led us up to the anniversary show. It was so encouraging to get overwhelming support from listeners who really enjoyed the new voices in the hosting chair. And while we were limited to only eight hosts before the anniversary, we have plenty more people on the team and lots of episodes to come. So I'll be turning over the hosting to new guest hosts every few episodes as we move forward. And speaking of hearing some of our team in special roles, I know many of you will be excited to learn about a new audio project in the works, one that features the talents of many of our no Sleep family. It's called Beck's End, and the Kickstarter campaign has recently launched. When floodwaters swallow an idyllic Lake District village, a stranded journalist finds herself trapped in a rising tide of fear. Cut off from the outside world, she begins to uncover horrors, both human and biblical, lurking beneath the surface. Beck's End is a folk horror audio drama about isolation, belief radicalization and whether redemption is possible. Beck's End is created by friend of the show, Mark Nixon of Shadows at the Door Productions, with associate producer and familiar voice around here, ashmillman. Mark describes the inspiration for the show, one that he's been working on for the past 10 years as a British take on Salem's Lot meets Rear Window. Underpinned by a creeping dread inspired by horror video game Alan Wake, Beck's End is fundamentally a folk horror experience, defined by its soundscape and talented genre actors exploring the quiet dread and insidious underbelly of small town Britain under threat from the paranormal. And the amazing cast will feature the recognizable voices of Erica Sanderson and David Alt, amongst others. Plus, the theme music is composed by the maestro Brandon Boone. Check the show notes for a link to their Kickstarter campaign to learn how you can help support this new production called Beck's End. Now, let's see. I think I can still remember how to host this show. I am back to doing it all alone. And that seems appropriate because, like a lot of people feel, doing things alone can be a nice break from hectic crowds. But when it comes to horror, finding yourself alone in places where you expect others to be can be deeply unsettling. Our tales this week will feature people in far worse positions than merely playing a game of Sal Solitaire. And now it's time to get back in the water as we plunge into the horror of our sleepless tales. In our first tale, we meet June. She's a woman much more comfortable above ground, but when her friend Cat invites her to go caving, she reluctantly agrees. But in this tale shared with us by author Jasper Downey, June soon discovers where her fears of spelunking come from and how they're not so unfounded. Performing this tale are Lindsey Russo and Kristen Di Mercurio. So keep your wits about you. Stay locked in. You need reality, not phantom perception.

June

Did you know that when deprived of most or all sensory input, the brain often becomes bored and begins to invent its own Phantom perception, they call it, when sensory deprivation causes vivid hallucinations. You may hear indistinct whispers in the silence or see faces twist themselves out of the darkness scarier than any horror story or movie. The things your own brain can come up with in the right conditions. The right conditions. Like a darkness so complete it seems to have a physical presence. An inky black weight pressing all around, stealing the air from my lungs with its black hole quality. A darkness so complete it could only be achieved under hundreds of feet of solid dirt and stone. A natural tomb. I'd never taken to caving like Cat had. She seemed made for the cold, damp, claustrophobic passages, braving every squeeze and forging through unmapped territory with all the confidence of someone who wasn't at risk of never seeing sunlight again with one wrong move. Not me. I had always gotten the sense that the earth wanted me, that once I was down in that clammy darkness, the stone would scrape and curl around me in a crushing hug, keeping me there forever. I knew it was ridiculous. Of course, the earth could no more want anything than a stone could move on its own. Still, I felt a palpable sense of relief Every time Cat and I re emerged with no more than a few minor scrapes and bangs to speak of, I was always stuck between gloating. Not this time. I got away. You couldn't get me this time. And running with my metaphorical tail between my legs. Why did I keep going if it caused such a strong reaction for me? I guess I always had a hard time saying no to Cat. And I guess I felt I was conquering my fears a little every time I emerged from the ground victorious. Regardless, I was never exactly excited whenever Cat told me she'd found a new spot for us. She liked to consider herself a bit of an explorer. I suppose she always wanted to find the passages that were yet unmapped. Always wanted to push herself a little further. I personally preferred a nice hike in the woods over being deep in the bowels of the earth with no map. But Cat was my best friend. I would have done anything for her. It still haunts me that despite all my feelings that a dark, claustrophobic end loomed over me at all times. I was the one who made it out that day. I can't help feeling that it should have been me. But maybe I should feel consoled by the fact that she died doing what she loved. At least I have to hope she died. Sometimes I have nightmares about crawling in the dark, constantly wet, constantly cold. Sometimes in these nightmares, a small and delicate scurrying thing runs over my hand. In these nightmares, I bring it to my mouth and there's a sickening crunch. In these nightmares, my body feels sore and weak. It feels realer than I think it should, and I tell myself it doesn't. I have to hope we both made it out in our own way. The cave was nothing special. I feel it needs a title, something to set it apart from every other hole in the ground we'd explored. But of course, it had no name. It still doesn't. Maybe the cave, capital T, capital C would do it enough justice. The entrance was little more than a hole in the ground, and it would have been easy to miss if you weren't looking for it. We, of course, were looking for it. From the entrance there was a mild downward slope. Nothing we needed climbing gear for. But we had to watch our steps, sometimes sending a small shower of pebbles and debris rolling ahead out of the beams of our headlamps. It really seemed to be a novice passage at first. As far as we could tell, there were no drop offs or particularly difficult squeezes. The walls and ceiling of the cave were a comfortable distance away from most of the excursion, and every so often they would open into a small chamber adorned with stalact and stalagmites. It was only when Cat decided to turn back for the day that the problem started. I was following behind her, swinging the beam of my headlamp around slowly as I took in the chamber we were making our way through. There was one thing Cat and I could both appreciate, how absolutely untouched places like this were, that we might be some of the first people to lay eyes on these passages. Lost as I was in my musings, I didn't notice Kat had stopped in front of me and nearly ran right into her Everything alright? I was puzzled by her silence and stillness. I would have expected her to say something if she needed a break or wanted to grab a drink from her pack. June we didn't pass a fork on our way in, did we? The words sent a spear of panic into my gut. Cat, of course, was still quite calm. Ever the brave and adventurous one, she must have been trying to think rationally. We must have come from one passage and not even noticed that it split off behind us. She gave a nod, causing the circle of light from her headlamp to bob. Yeah, that's it.

Narrator/June's inner voice

We'll just.

June

We just have to choose one and see if it looks familiar. Her words didn't convince me. It sounded like she was trying to convince herself. We were so careful when we explored a new spot. Every fork, every split in the path was dutifully noted and marked. It seemed unthinkable to me that we would have missed something so obvious, but really, what other explanation was there? Every passage and cavern and tunnel in that cave had been carved by water through the limestone over hundreds or thousands of years. It was impossible that a new passage could have popped up over the course of a couple hours. Yeah, we must have missed it. We decided to start with the last left fork. Cat led the way still, but she was a little slower now. I'm sure she didn't want me to see it, but I could tell her steps were more uncertain. We walked in silence, our twin lamps illuminating grimy cave walls that were vaguely damp and covered in fungi that had never before seen light. I half expected it to shrivel away from the beams, cutting through the darkness, but like everything else, it was still and silent. A cave doesn't have a lot of landmarks. It was hard to tell if we'd seen this bend, this stalagmite, this patch of cave wall before the walls slowly closed around us as we continued forward, the passage going from spacious to Scraping our shoulders with each movement, as though urging us forward or back. Cat's steps became a little quicker, a little more confident. The last squeeze was about five minutes before that bend. Cat threw a grin back at me before the walls forced her to turn sideways in order to continue forward. We're on the right track. Something gnawed at me, still in the pit of my stomach, but I so badly wanted to trust her confidence. She was right after all. It did seem like a familiar path as I joined Kat in the half shuffling, half pulling myself through the squeeze. None of them had been particularly bad on our way in. Nothing that couldn't be taken care of by sucking in and muscling through it. This time, the relief at finding ourselves back on track seemed to render me a little breathless. The walls pressed in tighter than I remembered as I struggled to get my breathing under control. I imagined or felt the walls moving with me As I breathed out, the squeeze seemed to become even more constricting When I tried to suck in a breath, mercifully, the stone drew back to allow it. The rock face felt as rough and unforg giving as always, but yet it seemed to almost flow around my limbs, molding around my form. I felt a crushing certainty in that moment. The stone and earth would form around me in a natural sarcophagus, encasing me miles beneath the ground until I wasted away, until my skin sloughed from my bones and there my bones would remain, grimy and yellow with no sunlight to ever bleach them, until they too broke down and became part of the surrounding earth. Maybe then it would no longer want. It would have. I almost screamed when a pale hand suddenly thrust into the light of my headlamp, gripping my arm firmly as I returned to my senses, the rock suddenly seemed not so close to me. Cat pulled and I pushed and the stone wall under my hand seemed spongy for a moment before I was free of the crevice. Within a an almost audible pop. I imagined that it gripped at me, reluctant to let me go. Something caught my toe as I emerged and sent my head into the cave wall with a smack. My field of view went suddenly dark and I feared for a moment that I had suffered a head injury and lost consciousness. Luckily for me, the grimy white climbers helmet we both wore had saved me from cracking my head open, but my headlamp had taken the brunt of the impact. I could feel the shattered plastic when I reached for it. Shit. Cat turned me to face her, asking if I was alright, looking me over for scrapes or bruises. Why'd you stop in the squeeze? It seemed narrower than before. My head was swimming slightly, and I couldn't think of a better way to explain what I'd experienced. I couldn't think of a believable way to explain what I'd experienced. You must have been panicking still, because we thought we were turned around and all that. Yeah, probably. Deep down, I didn't agree. As I followed Kat through the passage, relying on what light came back to me from her lamp, my fear suddenly felt a lot less ridiculous. Of course the earth could want. I felt it thrumming through the ground under my feet and heard it in the whispers of water dripping down cave walls. It wanted, in a way that was ancient, patient. It was content to let me escape again and again. I would be back, and it would wait. It was so, so patient. Cat's light disappeared around a bend ahead of me, pulling me from my musings as I was plunged once again into darkness. I put my hand on the cave wall as I increased my pace, trying to catch up with my friend. I hadn't noticed how much distance had been building between us. Cat. The darkness seemed to dampen my cry. It didn't echo down the passage like I expected it to. June. I faintly heard Cat calling my name ahead of me, her voice sounding further than I anticipated. When had she gotten so far ahead of me? I felt the sharp turn in the wall that indicated the bend my friend had disappeared around. But as I scrambled around the corner, there was still no light. Cat, wait for me. I further increased my pace despite my inability to see what was ahead of me. I sounded frantic and breathless, even to my own ears.

Narrator/June's inner voice

June, come to the next squeeze.

June

I'll guide you through. Cat's voice sounded even fainter this time, and it had taken on a strange, tinny quality. As if on cue, I could feel the cave walls beginning to close around me as I walked. The passage narrowed more rapidly this time, forcing me to slow down as the stone began to scrape against my shoulders and my hips. I turned sideways as the walls pressed even closer. It was even harder this time to keep my breathing under control, especially as the crevice grew tighter and there was still no sign of Cat's light. I tried to call out to her again, but I couldn't get the air in my lungs to muster more than a weak cry. There was no response. The unforgiving wall began to cut into my flesh as I continued to force my body through, undoubtedly leaving raw, pink red scrapes in its wake. And then I was stuck. I couldn't move forward or back. At that moment, I had a thought that was possibly more terrifying than the irrational fear that the earth wanted me, that it was absolutely indifferent to my plight. I could yell and cry all I wanted, but nothing and no one would hear me or understand or care. All there was around me was cold, stale cave air and cold, damp cave walls and a darkness so deep it seemed to have weight. Time passed. I have no idea how long. No way to check my watch or my phone, and no other way to track the progress of time. Hours passed, maybe even days, as the rock held me in place. Alone deep within the earth. I had no idea where Cat was, if she was also stuck, or if she was getting help. Thinking about that only kept me entertained for so long. That was one thing my fears never touched on. How boring it was to be trapped. My mind wandered. My mind played tricks on me. My mind gave me imaginary hope and imaginary nightmares. The darkness all around me may well have been a TV screen for the way my brain conjured disturbing images from it for me to watch. Anguished faces with wide, staring, blind eyes not seeing but imagining that they saw. I wondered if I was seeing a vision of myself or what I would become. I wondered if I was seeing the fate of all the other poor souls who thought they may have been the first to explore the cave. The dripping of water from beyond or behind me echoed faintly, sometimes sounding like whispers, sometimes sounding like Cat's voice, sometimes my mother's, sometimes an overlapping and unfamiliar babble. I could never make out words, but the pitch and cadence of the voices was near unmistakable. I think I drifted in and out of consciousness, but it was hard to tell the difference between my waking and resting moments when both were marked mostly by darkness. Sometimes in my dreams, Kat came back for me. Sometimes there were other people with her. Sometimes in my dreams, Kat came back for me, and her eyes were wide and blind and her skin was pale and clammy, and when she opened her mouth, her voice was just like the echoey far off dripping of water, and I couldn't make out a single word. I'm pretty sure those were dreams. When I first saw light again, I had to close my eyes as my retinas burned. I thought I might be dead, but I registered all the aches and fatigue in a rush and knew I wasn't Indistinct voices pulled me from catatonia as strong hands pulled me from the squeeze, my muscles protesting after being stuck in the same position for who knows how long. I tried to speak, but my tongue felt desiccated in the desert of my mouth and hardly a wheeze left me. I don't remember much else until I woke up in the hospital bed. I'd never been so relieved to squint into bright off white fluorescence. I was in the cave for about three days. All in all, Cat, while adventurous, was not reckless. She had told one of her friends where we were planning to go, and that friend had alerted the authorities when they didn't hear from Cat. Following the expedition, they never did find Cat, dead or alive. They said she must have gotten out of the cave and gotten lost in the surrounding forest. The cave, they said, was a straight shot through several chambers that ended finally in a crevice much too small for any person to fit through. There was no way they could have missed her. Personally, I don't think Cat ever left the cave. I organized a memorial for Cat. She was my best friend. It was the least I could do. I visit every year with my wife on the anniversary of my rescue from the cave. I've gone to therapy. Sometimes I still have nightmares. My therapist says that's normal, says they might never fully stop. Sometimes when I can't sleep, I lay awake in the bed my wife and I share and stare at the dark ceiling. It's not really that dark. Most nights I've seen absolute darkness. Most nights, the moon and stars or the streetlights and slivers of light streaming in through gaps in our curtains. Some nights when it's cloudy, I'm reminded of the cave. The darkness in our room is never absolute, but sometimes it comes close and I think maybe I can make out anguished faces in that darkness. And sometimes, if I focus, the soothing rhythm of my wife's restful breathing next to me morphs into something else. The steady drip, drip, drip of water somewhere far off and echoey. So I try not to focus. I have to hope that Kat and I both made it out in our own ways.

David Cummings

Let's take a short break for our sponsors who help us keep our heads above water for waves of ad free horror content. Join our sleepless universe by going to sleepless.thenosleeppodcast.com Some people might like a summer packed with crowded events, but we're talking solitary things like calm weekends and lower air conditioning bills. Lately I've realized I don't actually need every summer plan imaginable. I just need moments where my brain finally stops overheating for a second. That's why I love indacloud and their selection of gummies and edibles that help me chill out and relax. No crowds and nothing draining me. Indecloud offers Energy Gummies for surviving overloaded summer schedules, THC sodas for staying social without overheating yourself, extra Strength Sleep Gummies for fully shutting down your brain at night, and flour for slowing the evenings down intentionally into cloud Is your fully legal online cannabis dispensary? Everything available is federally legal. Hemp THC DEA certified lab tested and shipped discreetly to your door. If you're 21 or older, go to IndeCloud Co that's co and use code no sleep for 30% off your first subscription order. That's IndeCloud dot code no sleep for 30% off shipped routinely and discreetly to your door. Plus free gifts on qualifying orders. And don't forget to fill out the quick survey when you order to support this show. As always, please enjoy responsibly and a huge thanks to Indecloud for helping everybody stay a little cooler this summer. And if I ever got stuck in a cave, I'm not sure I could get out easily. I have a dad bod, or probably a bod equal to 2 dads. I'd need a wide opening. That's why I'm changing things to get healthier, and Mars Men is a big part of that. A lot of people think the classic dad bod just comes from drinking more beer or eating worse, but for a lot of guys, that's actually not the whole story. As men get older, our bodies reprogram themselves. We naturally start storing more fat and losing muscle faster. And the main reason for this is testosterone. Most men's testosterone levels start dropping as early as their 30s. That's why I started taking Mars Men. Mars Men is a natural supplement designed to support healthy testosterone levels, which can help your body burn fat more efficiently and build lean muscle. When your hormones are working the way they're supposed to, a lot of things can get easier. Workouts, energy, even staying lean. As I've been working out more and getting more active, I can really tell the difference Mars Men makes for me. For a limited time, our listeners get 50% off for life plus free shipping and three free gifts@ Mengotomars.com that's Mengotomars.com for 50% off and three free gifts. When you check out. After you purchase, they'll ask you where you heard about them. Please support our show and tell them the no Sleep podcast sent you. Now let's plunge back into the deep waters of horror. Many of us know what it's like to have psychological issues due to the way our parents raised us. Sometimes we inherit their problems, and this is especially common when it comes to mothers imposing body dysmorphia on their daughters. And in this tale shared with us by author Laura Kulik, we meet a woman struggling with her body issues. Maybe a little sweet treat couldn't hurt. Performing this tale are Marie Westbrook, Sarah Thomas, Erin Lillis, and Catabel Ansari. So when starving yourself isn't the way to go, try to find some comfort in your dead mom's chocolate cupcakes.

Narrator/June's inner voice

Your mom used to say, nothing tastes as good as skinny feels. As a kid, you thought this was incredibly stupid and asked genuinely over and over, what does skinny feel like? Is it like unwrapping presents on Christmas morning? Rewatching your favorite movie? Jumping higher than everyone else on the trampoline? Your mom never answered, just kept trying to feed you soggy boiled carrots. You think about this cliche every morning as you prepare your breakfast. Today, you slice an orange in half, carefully wrap one half in plastic and put it in the fridge. Cut the other half into three small slices. You eat them standing at the kitchen counter, savoring the sweetness. You feel guilty about the sugar, but promise yourself you'll make it up. At lunch, you last three hours without eating anything else. You are so hungry, the feeling has spread from your stomach through your entire body. Your muscles ache, your hands are shaky, your brain is clouded and sluggish. You glance at the clock. 11:30. 30 minutes until lunch. You've been fantasizing about lunch since dinner last night. You know exactly what it will be. Half of a panini with turkey bacon, four thin slices of cheddar cheese, and a salad with tomatoes, lettuce, carrots and light Italian dressing. You check the clock again. 29 minutes until lunch. You're supposed to be working on your thesis, a critical feminist reading of female saints in the Middle Ages. You did the research. Hundreds of hours poring over old texts and interviewing Catholic scholars. It was your mom who got you interested in the topic. As a kid, she loved telling you the story of Princess Wilgafortes of Portugal. Wilgafortes was so devoted to God she took a vow of celibacy when her father tried to marry her off. She prayed for God to make her ugly so she could escape this fate and remain a virgin. It worked. She sprouted an unsightly beard that made her repulsive. For the crime of defiance, her father had her crucified Your mom always made a point to mention that Wilgafortis proved her love of God by eating nothing more than the Holy Eucharist for an entire year. She was so pure. All she needed was faith to sustain her. You, on the other hand, are completely consumed by thoughts of your panini. You've read and re read your first only paragraph five times without processing any information. You glance at the clock. 27 minutes to lunch. You look at me in the mirror. You hate me with a burning passion. My bulging stomach, fat thighs. If you could lose five pounds, I would be perfect. Beautiful. There's a knock at the front door. You frown. You can't remember the last time you had a visitor. You turn away from the mirror. But I don't turn. I stare at you, running my eyes down your body. So much flesh. So much life. The knocking becomes more insistent. You sigh, leaving the room without a backward glance. Your mom used to bake the most amazing banana bread. Sweet and warm, with chocolate chips and walnuts. It tasted like home, like a hug. But she refused to eat it. It's for you and your father, she insisted. One night you woke from a nightmare and heard someone in the kitchen. You found your mom standing at the counter eating piece after piece of banana bread. You froze. You couldn't stand to watch, but couldn't look away. The next morning, when your father teased you for eating all the bread, you stayed silent. At the door is your aunt Charlotte, a pudgy woman in an unflattering school teacher dress. Your mom used to call her Chunky Charlie. Behind her back, next to Charlotte, is your cousin abby. Abby is 17 and perpetually bored. She still has that teenager's body, not an ounce of fat on her, and she doesn't have to work for it. Fucking brat. You are annoyed because it is finally noon, which means lunch. But now you have to make awkward small talk for an unbearable, indeterminate amount of time. Then you see something that makes your blood run cold. Charlotte has a tray of chocolate cupcakes in her arms. We were just in the neighborhood and we thought we'd stop by before you can protest. Charlotte brushes past you into the apartment. You stare at the cupcake in front of you. It's stupid yellow frosting. Smiley face mocks you. Charlotte is talking about a pottery class or something. As hard as you try, you cannot concentrate on her words. It's 22 minutes past lunch.

June

Tin Hope. I know chocolate is your favorite.

Narrator/June's inner voice

Charlotte is on her second cupcake, her teeth stained brown. Little crumbs fly from her mouth as she talks. You push the plate away. I ate a big breakfast, so I'm okay for now. But I will definitely eat this later.

June

It's your mom's recipe.

Narrator/June's inner voice

In this moment, you hate her. Doesn't she know how hard you're working? Can't she see that if you eat this cupcake, all your sacrifice, all the nights you spent lying awake with an aching stomach, will be for you? Take a deep breath and think of St. Wilkofortis. You get a rush of superiority. You are above Charlotte and her nauseating cupcakes. You smile. I'm really full. So Abby, how's senior year? As Abby complains about some stupid high school bullshit, I watch you from the mirror above the bookshelf. I see your eyes drift back to the cupcake, a black hole pulling you in with its gravity. The mirror falls to the floor with a sharp crack. Everyone jumps. You pick it up and study me through the fractured glass. You should kiss me and say thank you. Instead, you just stare, wondering how the mirror, which was firmly bolted to the wall a few moments ago, slipped off its screws. I stare right back at you, mocking your confused expression.

June

Should I get a broom?

Narrator/June's inner voice

It's 25 minutes past lunchtime and the thought of cleaning is infinitely exhausting. I'll do it later. You slump back in your chair. You look really good. Like really skinny. You look at Abby with new eyes. This beautiful, delightful, magnificent girl. She sees you. Are you on a diet or something? You blush, bat her words away with a giggle. Not really. I just eat super healthy. I don't really snack or eat dessert.

David Cummings

Just clean eating.

Narrator/June's inner voice

You know I'm an idiot.

June

I brought you a gift and left

David Cummings

it in the car.

June

Abby, could you do me a favor and get it? Really? Yes, really.

Narrator/June's inner voice

Abby makes a show of standing and stalking out of the room. Alone with Charlotte. You are on the edge. Change. It's 28 minutes past lunchtime. What the does she want?

June

We missed you at dinner last Friday.

Narrator/June's inner voice

Sorry, I've been busy with my thesis.

June

You should come over tonight.

Narrator/June's inner voice

I'm making roast chicken with mashed potatoes. You stiffen. No way that is going to happen. You imagine sitting at Charlotte's table, a warm plate of food in front of you. You start by eating what's on your plate. Then you ask for seconds. Then just a little more mashed potatoes. Then you volunteer to do the dishes so you can eat the scraps off other people's plates and lick all the serving spoons clean. And I really can't tonight. I need to get some writing done I'm in a flow today. You don't have to stay all night. Just come get some food. God, you hate her. It's 31 minutes past lunchtime and you hate her.

June

You could use a hearty meal.

Narrator/June's inner voice

You look so.

June

I'm doing great. I'm in the best shape of my life.

Narrator/June's inner voice

I'm happy. You jump out of your seat. You didn't mean to react so violently, but the words fly out of your mouth like warm vomit. Charlotte doesn't break eye contact. She's looking at you with pity. Uh, sorry. I couldn't find it. Abby lingers in the kitchen doorway, afraid to get too close. Charlotte smiles without looking away from you.

June

I'm all over the place today. It's right here.

Narrator/June's inner voice

She pulls a leather bound journal out of her purse. You recognize it immediately. You think you should feel something, but all you feel is the acid churning in your stomach.

June

She wanted you to have this.

Narrator/June's inner voice

Charlotte hands it over, then stands and motions for Abby to leave. Don't forget the rest of the cupcakes.

June

They're all for you, sweetie.

Narrator/June's inner voice

The moment the door closes, you shove the tray into the trash. Your mom always told you to cover up. You weren't allowed to wear bikinis to the pool because pervy old men will stare at you. You knew the real reason she was jealous. She didn't want to look at your 16 year old body, effortlessly thin and radiant. A more desirable her. When she was feeling low, she made you feel worse. She'd say you'd look beautiful if you just stood up straight in war makeup. Up she'd drop into conversations how nice her body was before she had you. In those moments, you vow to never grow old just to spite her. Your day is ruined. You are so hungry. By the time you finally ate lunch, you consumed three extra slices of cheese. You spend the rest of the day staring at the intro paragraph thinking about those three slices of cheese. One slice of cheddar cheese has 113 calories, 9 grams of fat and only 7 grams of protein. You think about the rest of the cheese in your fridge. Then you mentally inventory all the food in your house. Ritz crackers, whole grain bread, carrots, lettuce, apples, low fat yogurt, 1% milk, soy sauce, ketchup, half an orange, turkey bacon.

June

Stop it.

Narrator/June's inner voice

You should be working. You haven't accomplished a single thing today. You're a fucking failure. It's late. Too late to eat dinner. You look at the leather bound journal on the kitchen table. You open it. Your fingers trace your mom's Flowy handwriting. It's her cookbook. All her secret recipes with little notes and doodles in the margins. There's her banana bread recipe, which you still think about in your dreams. Garlic Honey chicken, your favorite dish in fifth grade. Ginger miso salmon. Oh, the first issue made together. You remember her showing you how to lay out all the ingredients, tasting the sauce to see if it needed more salt. Then finally, on the last page, chocolate cupcakes. 1 1/2 cups flour 1 cup granulated sugar 1 teaspoon baking soda 1 teaspoon salt 13 cup cocoa powder 1/2 cup oil 1 cup water 1 teaspoon vanilla extract 1 tablespoon vinegar A happy butterfly drawn in purple gel pen reminds the reader, don't forget to frost with your favorite icing. Breathless, you place the book on the table. You don't mean to, but the next thing you know, you're at the trash can. You open it and look inside. There are the chocolate cupcakes. You observe the trash is pretty much empty. You observe most of the cupcakes are still on the tray. What would be the harm? Just one bite. You didn't eat dinner, so you deserve it. No one will ever know. But I'll know. And I think you're fucking disgusting. A cockroach eating out of the trash. You jump backwards. The sound comes from inside your room. You are filled with the all consuming dread that comes with being a woman alone at night. You creep to your bedroom and peer inside. It takes a moment for your eyes to adjust. Everything is still except the curtains blowing in the wind. You hold your breath, steeling yourself to flee. Then you see it there on the floor. Your mirror. You sigh in relief. You stand the mirror back up. You catch me in the reflective glass. Instead of looking at my body, you look at my face. The dim lighting accentuates my hollow cheeks and sunken eyes. I look tired. Miserable tears fill your eyes. Oh boo hoo. This is what it takes. It's not pretty, but now you're running. Running to the kitchen where you open the trash can and pull out the tray of cupcakes and put one in your mouth. Then another, then another. You barely taste them, take no pleasure in them. But you keep eating. You can't stop. You're out of control. And since you've completely fucked everything up, you just keep eating until every single one is gone. You sit on the floor of the dark kitchen in disbelief. Your belly aches. You're exhausted, like you just ran a marathon. You stumble to the trash and stick your finger down your throat. You take a deep breath, hoping the rotting smell will trigger your gag reflex. It doesn't. You've always been terrible about making yourself vomit. Another one of your failures. You try sticking a spoon down your throat, but that doesn't work either. You can't bear to think about how many calories you just consumed. Oh, God, you were so good all week. Why? Why? Why did you fuck it up? It's time now. I've been too kind. Too forgiving. I'm famished. Ravenous. You think you know hunger. You know nothing. You slink to the bedroom, knowing unconsciousness will be your only reprieve from shame. Just for a second. Your eyes flick to the mirror. I'm gone. You have no reflection. You stand there, frozen in fear. You can't think, can't breathe. I'm in the kitchen. Come find me. I see you peeking around the corner. There I am. Tall, skeletal, silhouetted in the kitchen light. You watch in horror as my hands twist and contort, transforming into black claws. You're backing away slowly. You think I can't hear? You? Think I can't read your thoughts? You're pathetic. Praying to God and Charlotte and your fucking poor dead mommy. That's when I pounce, sprinting toward you at full speed. You run, run to your bedroom. Your naked foot lands on a stray piece of mirror glass. It slices deep into your flesh and you fall hard on the floor. I'm close, just an arm length away. I reach for you. You scramble to your feet and throw yourself into your room, slamming the door in my face. You think you're safe, but I have a little trick up my sleeve. I pound on the door, my powerful claws rattling the hinges in your room. You hold your breath. There's a moment of silence. You back away from the door, past your laundry basket, your bed, right into the mirror. You don't even have time to scream as I leap through the glass into your world. I tackle you to the floor with my claws. I tear into your abdomen, ripping out your intestines. I put my mouth in your exposed guts and, God, you taste so good. You half heartedly try to kick me off, but come on, I know you like it. I eat and eat, eating you to the bone. Your mom lost a lot of weight at the end. The chemo made her disinterested in food. Not to mention the mouth sores, violent diarrhea and constant vomiting. Every time you went to the hospital, she told you her weight. 125, 119, 115, 106. In the end you held tightly to her bony little hand, the child's hand, as she told you. 92 pounds. 92 pounds. How did she even have the strength to step on the scale? All you could do in the hospital was eat. You devoured every snack in the vending machine, demolished entire bags of Trader Joe's chocolate Pretzels for dinner. As she watched you grow, you saw it in her eyes, that little twinkle. Triumph. She finally beat you. Breakfast today is the other half of the orange. You slice it, as always, into three thick in strips. There is a knock at the door, but you don't move to open it. Aunt Charlotte pokes her head in. She's carrying a Tupperware container with chicken and mashed potatoes. Good morning, sweetie. I hope you don't mind me dropping by unannounced again. She hesitates, waiting for you to turn. You don't. Can't.

June

I'm sorry if I touched a nerve yesterday.

Narrator/June's inner voice

I know you're dealing with things in your own way.

June

I hope you aren't mad at me.

Narrator/June's inner voice

No. You shake your head. You're not mad at her. How could you be? You are a saint floating on clouds. She is a pig waddling around on the ground. She is chunky, Charlie. You pity her.

June

I brought you some food from last night. I used milk instead of cream in the mashed potatoes, so it's basically like a salad.

Narrator/June's inner voice

She giggles at her stupid joke. She is right behind you now, placing a hand on your back.

June

Are you okay, sweetie?

Narrator/June's inner voice

You turn to face her, revealing a gaping, bloody hole in your abdomen. Charlotte screams. You smile. You feel nothing. You feel thin.

David Cummings

The horror keeps flowing after a word from the folks who make all this free content possible. I'm gonna avoid those cupcakes because I can't risk getting stains on my outfits from Quince. Summer always changes how I get dressed. I want pieces that feel lighter and more breathable. Things that are easy but still put together. That's why both Kelly and I love quints. Kelly recently got herself some Bella Stretch Straight Jeans denim super stretch made with organic cotton for a stylish fit. She loves how they feel and how they look. And the price. Well, compared to comparable brands, she paid almost 80% less. And there's more choices for you, like their tees, which are soft and easy to wear. And their lightweight cotton sweaters are perfect for cooler summer nights. Everything at Quint's is priced 50 to 80% less than similar brands. And Quint's goes way beyond clothing. Custom upholstered sofas, ceramic cookware, premium bed setting. It's the kind of brand you end up recommending to everyone for everything. Elevate your summer wardrobe. Go to quince.com no sleep for free shipping on your order and 365 day returns. Now available in Canada too. That's Q-U-I-N-C-E.com no sleep for free shipping and 365 day return. Quince.com nosleep now let's plunge back into the deep waters of horror. Was it the pandemic? Is it the unreality of social media? Or is it just the way life is these days? Whatever the cause, more and more people simply want to stay at home and be away from other people. Social anxiety is becoming rampant. And in this tale shared with us by author Tyler John Kasicki, we meet a man who is isolated in his apartment, just the way he wants it. That is, until he notices something rather unusual outside the window. Performing this tale are Kyle Akers and Izzy Bromberger. So you may think you know yourself, but sometimes you have to ask. Who will you be tonight?

Isolated Man

Across the alleyway, in an identical apartment building, on an identical seven story balcony, a figure in all black stands. They're looking down at the busy market alleyway, leaning against the balcony's wrought iron railing. Their loose, mousy hair is blowing over their face, a black hoodie pulled over their head. I can never tell if they're looking down or looking across. Bit me. Maybe both. Both. I'm sitting on my balcony and there they are, watching the city breathe, watching life go by just like I do. I like to think that when I close my eyes and imagine, imagine the lives of others, that they are doing the same, that they are doing it with me. It's a comforting thought. The gray, spitting sky casts a gloom over the city, but the alleyway below is abuzz with bartering street vendors, chiming bicycles, the cumulative babble that emanates off of crowds. I look down at the alleyway market. People meander from booth to booth. Despite the gray sky, despite the dribbling rain. The crowd shuffles down that seemingly endless alleyway in two lanes, walking, talking, looking, buying, gradually funneling out either side with bagged produce, souvenirs, tonight's dinner too far up to observe more intimate details. My eyes bounce from body to body, raincoat to raincoat, umbrella to umbrella. Who do I want to be tonight? A man in a neon green jacket stands out amongst the swarm. He's idle, acting as a median, the crowd passing him in both directions. I close my eyes and imagine being him. Who is he? Who am I? I'm tall and lanky. I'm young. My baby face hasn't quite caught up with the ambitions of my rapidly growing limbs. I tower over the crowd, can see the alley extend almost infinitely, forever, sandwiched between vendor booths and food stands. It's a nice change, strange having a view, not feeling enclosed, engulfed by those around me. And I'm looking. But looking for what? For whom? Maybe for a friend. Yes, she's supposed to meet me here. She's much older, but we connect, our age gap easily bridged by shared interests, 2000s indie rock and manga, and by a listening ear. I tell her about school, about professors too old to teach and impossible homework, and the woes of the bachelor life. She tells me about her toddler, her rotating job schedule of subbing and bartending and waiting tables, her dreams of moving away.

June

Why don't you join them?

Isolated Man

A soft, androgynous voice speaks into my ear, and I open my eyes back to reality, back to my apartment balcony. I touch my left ear, the one being whispered into, and it's cold. Looking across the alleyway, I know it's them, the black figure, my evening companion these past months.

June

It's where you want to be.

Isolated Man

Their voice is close, impossibly close. It's not that easy, I say aloud to myself. No, to them.

Narrator/June's inner voice

Them.

June

Why not?

Isolated Man

I think of venturing out, of interacting, of being seen, and my body begins to quiver in a crowd. My eyes twitch, blink too frequently. It's as if I forget how to walk, how to extend my legs and swing my arms. I think of the complexity of every potential interaction and it's just too much. How long do I hold eye contact? Do I smile? What do I do with my hands? Sudden, hyper awareness of every muscle overwhelms me. I lose the ability to hold a gaze, turning away like a wounded animal, and I think of getting caught, being noticed, because I'm sure I'll get noticed. When I last tried to leave the apartment, I felt the gaze of a young couple standing near the exact it. The sensation of being stared at makes me panic, so I turned around, quickened my pace, and fled back to safety. I didn't dare look back, imagining the confused, likely derisive expressions on their faces. No, I would not go down there. Not alone, at least. It'll be worse down there. Unless you want to go down with me.

June

I I can't go down there, though.

Narrator/June's inner voice

I long to below.

Isolated Man

The people continue to flow into and out of the market. They remind me of ants, their movements and actions predictable, mutually beneficial, connected, mysteriously, wired together. Why not?

June

I'm stuck here.

Isolated Man

Like me?

Narrator/June's inner voice

Sort of.

Isolated Man

And when I watch all the people from up high, I yearn for that connection, that missing wiring. So I pretend. I imagine. I fantasize. Then you understand.

June

I do.

Isolated Man

I slurp my takeout ramen and whip open the slider, eyes fixed to the mirrored balcony, seeing if I'll have company tonight. My heart jumps when I see them standing on the black balcony, still as a statue, except for that mousy hair which blows and whips and swirls with the non existent breeze. I scramble into my flimsy plastic chair and feel a cold spot form around my ear.

June

Who will you be tonight?

Isolated Man

Taking a breath, I scan the crowd below, looking for someone to catch my eye, draw me in. My eyes pass a flash of red and I backtrack to a runner, dodging and weaving through all the people. I close my eyes and imagine I'm in that red jumpsuit. I imagine I've started my Saturday evening with a pleasant run through the market, enjoying the crisp, cool evening, and your

June

girlfriend is right beside you, you in a matching tracksuit.

Isolated Man

The figure my friend plays along, pretends with me, eyes still shut. I smile, but my hands start shaking too. I imagine this is what people mean when they talk of butterflies in their stomach. I'm exhilarated but apprehensive, fearful of what could go wrong, what I might do wrong. With our run finished, we lock hands and begin browsing a booth of metal trinkets. Many statues of the animal kingdom made from various metal fasteners and tools ranging from cats and dogs to elephants in toucans.

June

I want the mouse.

Isolated Man

I pick up the mouse, its body framed by glued drill bits and bolts. Its two big ears are made from washers, its little feet from nails with their tips cut off.

June

Which do you want?

Isolated Man

I pick up a peacock, its feathers made from different thickness feeler gauges, each a different shade of silver.

June

I like that one.

Isolated Man

Whenever they speak, the slightest draft of icy air kisses my ear. We'll put the knick knacks on the mantel on either side of our flat screen tv.

June

Tell me about our apartment.

Isolated Man

I can picture it clearly. It's not big, but it's cozy. The front door leads into a modern kitchenette which faces the main space, our living room. A hallway extends from the living space to our bedroom and bathroom. Our living room is painted a dark teal that looks Prussian blue during the day, emerald at night. In the corner of the room Next to our camelback sofa, there's a cat tower.

Narrator/June's inner voice

Tell me about the cat.

Isolated Man

We pretend until it's too dark to see, until I'm too tired to keep the images in my head, until I nod off to sleep. Tonight we are friends, weathered and wrinkled, out on our weekly walk. The relentless wind whips our hair around, carries the briny scent of the sea deep into the city. We mosey past fresh produce stands boasting tomatoes and carrots and apple. We inspect the day's catches as we walk by snapper and grouper and salmon. We loiter between a crepe stand and a booth of watercolor paintings, each one a surreal view of the harbor city. Do you remember Ms. Till's class? I asked, browsing a box of prints, imagining myself as this old man, imagining that I'm searching for my wife's birthday present.

June

How could I ever forget the only teacher we ever had that danced on tables? Let us grade our own work.

Isolated Man

The slightest inflection in their breathy voice tells me they're smiling. And yet you managed to get a C in middle school art class.

June

So much for grading our own work, huh?

Isolated Man

The trick was to mark yourself down. I always told her I deserved a

June

C, and I always proposed an A for my work.

Narrator/June's inner voice

Work.

Isolated Man

We turn to each other and smile. And though I'm smiling too, up in my seventh floor balcony, my mind drifts to school, to the day I left and never went back, and my smile fades, slips away. I endured that cyclical social gathering for over a decade, growing tired and worn from navigating social dynamics and hierarchies every day for years. So I fled, ostracizing myself from my peers, connections that hadn't been made and would never be made, and ostracizing myself from my family, an intolerable failure in their eyes, a grievance that could never be mended. Even now, today, in the Haven, I fled to where I live, where I work, where I eat and sleep. I feel the shame of that decision, a brooding, lurking shadow that follows me wherever I go, reminds me of a past I'd like to forget. But I also feel the relief of that decision, the once foreign feeling of ease relaxing my muscles, reminding me I'm safe.

June

What's wrong?

Isolated Man

Nothing. I close my eyes, shaking my head into focus to bring myself back down to the market, to the art booth. What do you think of this one? I pick up a small canvas, an aerial view of the city in the middle. Various grayscale geometric shapes all fit together to form an octagon Surrounding the octagon, the city, are swirls of navy blue and black.

June

I think she'll love it.

Isolated Man

I think so, too.

June

Can I ask you something?

Isolated Man

They break character, their cool, quiet voice somehow carrying over the ruckus below and pulling me from the market back to my apartment balcony. I open my eyes. Of course.

June

Why don't you go down?

Narrator/June's inner voice

I'll be with you.

June

I'll be talking in your ear, just like now.

Isolated Man

But I wouldn't be able to talk to you.

June

You.

Isolated Man

Not like I do now. They'd all just look at me, stare at me. A bus stops at one side of the market, its hissing hydraulics drawing my attention for a moment as I watch the throng of passengers descend. Nothing makes me feel more alone than that, okay, I'll go if you go down with me.

June

I told you I can't go down there.

Isolated Man

Because you're like me.

June

I used to be like you. But I've been moldering in this apartment for far, far too long, and now I'm stuck here.

Isolated Man

But if we go down together, it won't be so bad.

June

I want to go down with you. I do. But I can't. You're not stuck. You can go. You should go.

Isolated Man

If you can't, I won't. I like what we have anyways. For as long as I've lived here, almost a year now, they've never left their balcony. Every time I've looked out my window, they've been there. Every time I've sat on my balcony, they've been there. Not tonight. It didn't quite register until I'd already sat down. As I lowered myself into the chair, my eyes darted to their spot like so many times before, looking for my friend, my anchor. But they weren't there. It was disorienting, dizzying. The sun's nearly down and I'm waiting, staring at their absence. The chair's latticed backrest digs into my shoulders and back as I recline against it. The sun drops lower and lower, burning up the sky, and darkness creeps in. I find myself wondering, what did I do wrong? What did I say wrong? I search every memory, recounting each conversation from the very beginning, studying every word. I replay all of it in my head to see how it could have played out differently, had I said something different here or there. Would they be here to night? My search yields far too many results. I was probably talking too loud, too fast when we imagined walking to the docks. It was a bad idea, probably boring and far too grim to pretend to be that old couple at the smoothie stand. The examples pile up, but one memory stands out the most. I wonder if I should have gone down to the market like they had. Wanted. Wanted. Having finished dinner, strained Maruchan and tap water, I slowly pull the slider open, letting out a prolonged sigh at the sight of the empty balcony. Settling into my flimsy lawn chair, I consider starting but decide to hold off. I'm waiting for company, hoping for company, desperate for company. Swirling nimbus clouds sweep on top of the city in large, steady droplets. The market below is a never ending line of umbrellas, big and small, bright and dark, wide and narrow. I tap my foot, staring at their empty balcony. It's been an entire week, seven nights by myself without their voice, without their presence. And if they're not out yet, then they're not coming. I consider going back inside, calling it a night, sinking into my mattress, stunned by indecision and indifference. Till I fall asleep. But decide against it, decide to stay, to start by myself. Surveying the crowd below through the rain, I sift through the umbrellas for something to cling to. After a few minutes of scanning, I settle on a pair of transparent umbrellas. Walking in pair, I close my eyes and imagine who they're covering. Maybe a man and a woman. Sure. I picture the man wearing an elegant charcoal pea coat and black slacks. Who is he? A face starts to take form. He has sharp facial features, a prominent nose nose and angled jawline. His gait is confident, his posture perfect. He's formal and analytical, probably particular. A financial consultant visiting the city, maybe? Yeah, visiting the city. On work. Looking for entertainment on a dreary weeknight. And the woman? I picture the woman in an emerald sequin dress. She. She's hanging on the financial consultant's arm. On my arm, the sequined dress or the woman, or both draw envious eyes. The garment flows with her curves, making them a complementary pair. She's tipsy from evening drinks, relying on my arm to keep her steady. Her motions are exaggerated so her hands can grasp and wander. When she stumbles, so her hands can feel me playfully. We flounder and squirm our way through the crowd, through the rain. We're just passing through, headed back to the hotel to cap off the night. A professional. She's been priming me all night, touching me lightly, whispering in my ear, holding my gaze.

Narrator/June's inner voice

Who will you be tonight?

Isolated Man

A chill blooms behind my left ear. A rush of excitement prompts me to leave my seat and stand up, the white plastic lawn chair falling to its Side. I open my eyes and I see them. Black hoodie, black pants, long hair blowing with the sideways rain. They came, but the distance doesn't seem right. My body slumps. Were they always so far away? It started without you. I thought you might not show again.

Narrator/June's inner voice

Sorry.

Isolated Man

The sound of their voice energizes me. I stand up straighter. I smile, like they can see my face. Where have you been? I've missed you. I thought you weren't coming back.

June

I've been staying in, thinking.

Isolated Man

Thinking about what?

June

What if we did something different tonight?

Isolated Man

Their voice drowns out the noisy city. The honking taxis racing perpendicular to the market alleyway. The shrill bus hydraulics, the wailing sirens. All muffled, secondary. Like what? Just trust me, okay?

June

Close your eyes.

Isolated Man

I do.

June

I want you to see me. Really see me. Would you like that?

Isolated Man

I would. More than anything.

Narrator/June's inner voice

Okay. Open.

Isolated Man

Their outstretched hand is right in front of me. It extends impossibly through the night air, connecting our apartments, connecting us.

June

Come see me.

Isolated Man

That chill behind my ear grows, extends to my neck, suffuses through my shoulders and torso. I reach, and just short of my outstretched hand, theirs slowly retracts. I rise. Though my movements are dampened, I'm slowed. Everything around me is slowed. At half speed, cars creep down the road. Everyone below is stuck mid step, their movement imperceptible, trudging forward like walking the ocean floor. My outstretched hand reaches and reaches and reaches for theirs before my waist meets the blackened steel railing. Their outstretched hand continues to reel backward over the crowded market, back to their apartment balcony. I climb the railing and leap for the hand, and though I don't reach it, I find myself floating, swimming between the apartments, over the crowded market and towards the retreating hand. Except I'm just falling. Slowly. The city's breathing races back to normal speed. It's honking and hissing and wailing all at once. It's loud and people are walking, talking and shouting below. Your hand reels back in a flash, and as I fall, I'm looking at them.

June

We'll go down together.

Isolated Man

I fall fast.

Narrator/June's inner voice

I'll be right here with you.

June

Right behind your ear the whole time.

Isolated Man

Toward all the people.

June

Don't worry, you won't be alone and

Isolated Man

you won't be like me toward their collective warmth.

Narrator/June's inner voice

It.

David Cummings

As our stories sink beneath the waves, we claw our way back onto dry land. Join us again next time when we plunge into the chilling depths where water hides its darkest secrets. The no Sleep podcast is presented by Creative Reason Media. The musical scores are composed by Brandon Boone. Our production team is Phil Mikulski, Jeff Clement, Jesse Cornett, and Claudius Moore. Our editorial team is Jessica McAvoy, Ashley McInally, Ollie A. White, and Kristen Samido. I'm your host and Executive Producer David Cummings. To discover how you can get even more Sleepless horror stories from us, just visit sleepless.thenosleeppodcast.com to learn about out the Sleepless Universe. Ad free extended episodes each week and lots of bonus content for the Dark hours. All for one low monthly price. On behalf of everyone at the no Sleep Podcast, we thank you for taking the plunge into our dark waters. This audio program is copyright 2026 by Creative Reason Media. The copyrights for each story are held by the respective authors. No duplication or reproduction of this audio program is permitted without the written consent of Creative Reason Media. No part of this audio program may be used or reproduced in any manner for the purpose of training artificial intelligence technologies or systems. All rights reserved.

Isolated Man

SA.

David Cummings

Hey there, It's Ryan Seacrest for Safeway for you. Save days are here now through June 25th. Find hot deals throughout the store and earn four times a point. Look for in store tags to earn

Isolated Man

on eligible items from Triscuit, Quaker, Reese's and Dots Pretzels.

David Cummings

Then clip the offer in the app

Isolated Man

for automatic event long savings. Stack up those rewards to save even more. Enjoy savings on top of savings when

David Cummings

you shop in store or online for easy pickup or delivery.

Isolated Man

Restrictions apply. See the website for full terms and conditions. Identity theft can cost more than you think. Drained investment accounts, stolen tax returns, lost wages, expenses for lawyers. It's a lot. That's why Lifelock is backed by the million dollar protection package, which covers up to $1 million each for stolen funds, fees for experts and lawyers, and out of pocket expenses. Don't face the burden of identity theft alone. Protect your future and finances with LifeLock. Join now and save up to 3030 your first year at LifeLock.com iHeart terms apply.

David Cummings

Big transfer news today. Who's moving me to the couch with Domino's? Best deal ever since they just added stuffed crust.

Isolated Man

Any pizza any toppings now with stuffed crust for 9.99?

David Cummings

It's a long term contract with no release clause.

Isolated Man

Only 9.99. Yeah, that sounds like the move. I'm heading straight to Domino.

David Cummings

Price is higher for some locations. Excludes Excel and specialty pizzas. Select this offer from 6:15 through 7:26 online only.

Isolated Man

Size availability varies by crust type.

David Cummings

Max 7 toppings 6 for Anna New York style crust.

Isolated Man

Minimum purchase required for delivery prices participation

David Cummings

Delivery area and charges may vary.