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Mickey-Jo recently returned to HEATHERS THE MUSICAL, which is back in London once more at its new home - The Arts at Marble Arch.Having seen the show several times since it first arrived in the UK, Mickey-Jo was surprised by his reaction to the largely identical production and the feeling that the show was no longer one which he could enjoy.For Mickey-Jo's thoughts about this latest iteration of Westerburg High School, plus reflections on Hesthers' history and legacy, check out his latest review.check out Mickey-Jo's weekly substack newsletter:www.mickeyjotheatre.substack.com•00:00 | introduction02:10 | the history of the show09:22 | the current run19:56 | the legacy of Heathers26:44 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Mickey-Jo recently hosted a post show Q&A with the company of RIDE THE CYCLONE after their performance at Southwark Playhouse Elephant.The cult hit musical received its UK premiere at the venue last year and has returned amidst huge popular demand for another engagement, with some additional cast members.Check out what they had to say about their discovery of the show, their favourite numbers to be a part of, and what it's been like performing in a heatwave.check out Mickey-Jo's free weekly substack newsletter:www.mickeyjotheatre.substack.comAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

This week Mickey-Jo saw 4 shows at Off West End Theatres:• The Jonathan Larson Project at Southwark Playhouse Borough • Ride the Cyclone at Southwark Playhouse Elephant • Hit Machine at Soho Theatre • Hole! at Soho TheatreCheck out what Mickey-Jo thought of the material, creative choices, and performances in each production.sign up to Mickey-Jo's weekly substack newsletter:www.mickeyjotheatre.substack.com•00:00 | introduction01:52 | The Jonathan Larson Project11:46 | Ride the Cyclone20:54 | Hit Machine28:11 | Hole!35:19 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

With increasing frequency, theatregoers in the UK have been observing a rise in the number of theatrical productions utilising AI.This comes amidst a global increase in the prevalence of artifical intelligence, in spite of its environmental and social impact.Today, Mickey-Jo is sharing his unfiltered thoughts about the arrival of AI in the theatre industry, bith onstage via generative AI imagery, as well as offstage in promotional materials and possibly even in the writing process...check out Mickey-Jo's free substack newsletter:www.mickeyjotheatre.substack.com•00:00 | introduction03:27 | the problems with AI11:19 | how is AI used in theatre?21:28 | the implications29:44 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

A new production of the musical SWEENEY TODD, written by Stephen Sondheim and Hugh Wheeler, opened earlier this week at the Birmingham Rep in the UK.The revival, which stars Ramin Karimloo and Meow Meow, features a condensed company and orchestra, offering a chamber-style reinterpretation of the usually grand piece, as well as shifting its setting around a century earlier.Find out more about this production, the winning material, and these new performances in this full review...check out Mickey-Jo's free substack newsletter:www.mickeyjotheatre.substack.com•00:00 | introduction02:36 | the material10:25 | this revival21:46 | the performances30:39 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

It was recently announced that CATS: The Jellicle Ball, the groundbreaking, award-winning revival of the iconic Andrew Lloyd Webber musical, would close early on Broadway.The production, playing until early August at the Broadhurst Theatre, was the best reviewed musical of the Broadway season and won multiple Tony Awards for its creative team, though notably not for Best Revival of a Musical.That, however, is not the only factor that played a role in the show's early demise - check out Mickey-Jo thoughts on what went wrong with the Jellicle Ball on Broadway...check out Mickey-Jo's free substack newsletter:www.mickeyjotheatre.substack.com•00:00 | introduction02:40 | closing details10:44 | the challenges18:33 | the Tony Awards23:23 | the implications31:14 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Good news! 3 years after they got engaged, Mickey-Jo and Aeron James are finally making wedding plans, and they're going to be tying the knot next year at a theatre!Today they are sharing some details of that upcoming wedding day, inspiration for a similarly theatrical wedding, including the types of theatres at which you can get married, and also letting you know their honeymoon plans and how you can help make them happen if you so wish! Stay tuned for some limited wedding coverage coming early next year, and thank you for watching along for the past few years.donate to their honeymoon fund:https://prezola.com/buy/view/336465•00:00 | introduction02:13 | wedding details08:17 | theatrical venues13:56 | stagey options21:00 | honeymoon plans28:45 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Though it first premiered off-Broadway in 2013, Mickey-Jo had never seen FUN HOME on stage, and had been waiting to experience this celebrated show.He finally got the chance to see a production last week when it was revived at the Royal Exchange in Manchester, a unique regional venue in the UK.Check out what Mickey-Jo thought of this intimate production, its performances, and the show itself...check out Mickey-Jo's free substack newsletter:www.mickeyjotheatre.substack.com•00:00 | introduction02:39 | synopsis / material16:42 | this production24:37 | performances32:37 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Mickey-Jo recently visited the Soho Theatre in London where the new play HIT MACHINE is readying to begin its sold out preview performances.The play stars Josh Radnor and Noah Galvin as brothers and musicians with differing success in the industry.Check out what they each had to say about their characters, how they arrived at this play, and what translating pain into art means for each of them.•check out Mickey-Jo's free substack newsletter:www.mickeyjotheatre.substack.comAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

The upcoming West End revival of the Tony Award and Pulitzer Prize winning musical RENT has recently announced its cast.Joining Gaten Matarazzo as Mark will be Travis Ross as Roger, Bella Brown as Mimi, Billy Nevers as Collins, Lazy Violet as Maureen, Olivier Award nominee Danielle Fiamanya as Joanne, Jeevan Braich as Angel and Joaquin Pedro Valdes as Benny.Find out why this news is so exciting and why Mickey-Jo thinks this production could become the most important staging of RENT since it premiered...•00:00 | introduction01:25 | the history08:14 | the cast16:44 | further details About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.